Writer's Block Wednesday: Ask an Agent

This week I wanted to blog about querying agents, but since I don't have an agent myself, I'm not an expert on the subject. Instead I've invited Sara Wolski of Calliope Content to answer some frequently asked questions:

Dana Kaye: What is the first thing you look for in a query letter? Is there something that can make or break that submission?

Sara Wolski: A good query letter is clear, concise, and follows a specific format. I get almost all of my queries via email, and there can be a few pitfalls to that medium. Informality is one pitfall, along with casual errors, typos, improper grammar, and my favorite, accidentally addressing the query letter to another agent or something standard like “Dear Gentlemen.” A great query letter is one that tells me (succinctly) what the book is about, a brief introduction to the author and his writing credentials, and hopefully, it piques my curiosity. Nathan Bransford, an agent with Curtis Brown, has an excellent blog on the anatomy of a good query letter (http://blog.nathanbransford.com/2008/03/query-letter-mad-lib.html).


DK: After you've asked for pages, what do you look for? What's your decision making process?


SW: If the query letter has done its job and hooked my interest, I’ll usually ask for the first three chapters or the first fifty pages. Less frequently, I might request the full manuscript. At that point, I’m looking for a story in which I become completely absorbed – I know what I’m looking for in writing quality so the winning combination is if the craft is there structurally and I can get lost in the story. Assessing the market is also a consideration (i.e. is there a book already published that’s exactly like this, has this story been told before, etc), but overall, if a book has a great story, compelling storytelling, and strong writing, chances are there will be a publisher for it. Sometimes books that don’t quite fall into a clear genre (genre-benders or “hybrids” and whatever else they’re calling them these days) are a bit harder to sell on principle, but “General Fiction” has become a genre of its own these days, so sometimes that’s not a huge factor in my decision-making process.


DK: Agents are always inundated with manuscripts and pages often get lost in the piles. Is there anything writers can do to stand out? Is there anything that will make you dig someone's manuscript out of the slush pile?


SW: The slush pile can be very daunting, but again, a well-written query letter automatically stands out from the rest. Queries printed on scented, pink paper do not stand out in a positive way, nor do query letters with fancy fonts or photos. Authors often forget that this is first and foremost a business, and agents love it when authors are on the same page – kitsch and cute is not the way to an agent’s heart. A professional query is always best. Once a manuscript is requested, if the author is sending it by post, the best way for it to not get lost in the jungle of paper is to label the envelope with “Requested Material” in large, clear writing. Sending it certified mail is another way to assure its arrival without bugging the agent. Sometimes assistants and interns handle the mail and requested manuscripts (and at times will even read it first), so certified mail can be a less obtrusive way of confirming this. However, I don’t mind at all when authors follow up with a short, professional email 3-4 weeks after sending their requested manuscripts. With agents dealing with a million different irons in the fire, a polite reminder can be helpful.


DK: Many agents are saying now, "If you don't hear from me, I'm not interested." What is the follow-up protocol?


SW: This is a product of the emailed query letter, unfortunately. I know how frustrating it can be to send missives out into the ether and wonder if anyone is ever even reading them, so I try to follow up with every query letter with either a “No, thank you” or a “Yes, please.” Some agencies put on their websites that replies are not guaranteed with emailed queries, which is somewhat better, but the best practice is to research each agency to learn their submission guidelines. The way email is, sometimes queries get snagged in spam filters. This is unavoidable, but again, I think it’s acceptable to send a short, professional, and polite follow up to ensure that the query was received and read. If there is still no response, I’d move on. The fact of the matter is that publishing can be a long process and with the amount of agencies out there, there’s no sense in dwelling on whether one of them received a query letter. Authors should be submitting to as many agencies as possible – hundreds if possible! It’s such a subjective process too, so the more agents queried, the better chance an author has of attaining representation.


DK: What is the most common mistake made by writers?


SW: I find that the biggest mistakes made by writers all stem from not understanding the publishing industry. Authors have to realize that this is a business, and even though it’s virtually impossible to be completely objective about one’s book, authors have to separate the rejection factor and the business methods from their intellectual property. Directly related to this is the mistake of letting emotions get in the way. I can’t tell you how many nasty responses I’ve received over the years from authors I have rejected. As a writer myself, I do understand the frustration and desolation of rejection. What writers might not realize is that agents have to deal with rejection with almost every book they sell. Georges Borchardt, one of the most famous agents (with clients like the Tennessee Williams estate, Ian McEwan, Kate Millett, the Samuel Beckett estate, the list goes on!) talks about how Elie Wiesel and William Faulkner were rejected from several big publishing houses before finding their editorial homes in a recent interview he did with Jofie Ferrari-Adler in P&W (http://www.pw.org/content/agents_editors_qampa_agent_georges_borchardt). With email it’s so easy to just click “reply” and send an ugly tirade of insults to the agent that did the rejecting: regardless of how polite and sincerely regretful the rejection may be, some authors insist on having the last – bitter – word. I guess it gets it out of their systems. Needless to say, this does nothing to help them. I have had some severe replies to very nice rejections and have not hesitated to tell my agent colleagues about it. The bottom line is that graciousness and professionalism speak volumes in every situation.


DK: What is the biggest piece of advice you can offer writers seeking an agent?


SW: My advice is to do the homework and stay active. Even when an author is published, there is no time to sit back. To get an agent, read agents’ blogs, research how to write a strong query letter, look up the agencies you’d like to submit to and follow the submission guidelines. Don’t agonize over whether everything is perfect – make the materials as strong as you can and run with it. Send it out to as many agents as possible that represent books similar to yours. Once the submissions are out, don’t sit back and wait. Submit short stories to literary magazines whenever possible, submit articles and make contacts within local publications – learn how to pitch articles to magazine and newspaper editors. The more you develop your pitching skills the better you will be at pitching your book to agents and editors. Create a website and blog frequently and on topic. The more active an aspiring author is about furthering his writing career through every avenue and means possible, the more likely an agent will find him and offer representation – not to mention that the stronger an author’s platform is, the easier it will be to publish the book and most importantly, sell copies.


Sara Wolski is the founder and president of Calliope Content, a full-service literary agency. She is newly based in Chicago after spending four years in the publishing industry in New York and London. She enjoys general fiction, educational books, children's literature, historical fiction, thrillers, mysteries, literary fiction, memoir, narrative non-fiction, and business books for the trade. Visit her online at www.calliopecontent.com.


Feel free to comment with follow-up questions for Sara and she'll do her best to answer them.

Must-See Monday

Not that many readings, but there are quite a few signings and release parties. Here are a few to check out:

Stop by Book Cellar (4736 N. Lincoln) for Local Authors Night on Wednesday, September 16th at 7:00pm. This month's guests are Tasha Alexander (Tears of Pearl), Claire Zulkey (An Off Year), Scott Blackwood (We Agreed to Meet Just Here) and Joan Napre (Beautiful Dreamer).

Also on Wednesday, David Ellis signs copies of his new book, THE HIDDEN MAN at the Webster Place Barnes and Noble (1414 W. Webster). The show doesn't start until 7:30pm so you could try to make both, but if not, catch David Ellis at the Oak Brook borders (1500 16th St.) on Friday, September 18th at 7:00pm.

If you'd rather not fight the traffic on a Friday night, head over to Women and Children First (5233 N. Clark) at 7:00pm for the Granta 108 Release Party. Have a drink with editor John Freeman and meet some of the Chicago Contributors.

Weekend Reading

For something new this weekend, check out THE HIDDEN MAN by David Ellis. He's a Chicago author and a newer member of The Outfit Collective. THE HIDDEN MAN is the first in a series featuring attorney Jason Kolarich and has already received much critical acclaim. Also, be on the lookout for Ellis's signings in next week's Must-See Monday.

Another new release is TOWER by Ken Bruen and Reed Farrell Coleman. When you combine two noir masters with cult followings, the product is nothing short of brilliant.

After watching the first season of True Blood all week, I'm feeling compelled to go back and re-read some Charlaine Harris. If you like the show but haven't read the books, pick up DEAD UNTIL DARK and LIVING DEAD IN DALLAS to see where the hit HBO series got its start.

Writer's Block Wednesday: Speak up!

It always amazes me how many authors have difficulty reading aloud or speaking in public. But if people are going to buy your book, they'll want to hear you read from it first. Why do you think every Must-See Monday has at least one reading or open mike? If you fear stepping on stage and reading in front of an audience, here are a few tips to help you out. These may seem obvious, and yet, there isn't a reading I go to where I don't see someone who could benefit from this advice:

Practice. You should always read your work aloud for editing purposes, but for a reading, it's important to practice the finished piece a few times and learn your story better. If you're familiar with the words, your piece will sound like storytelling rather than reading.

Gestures and Eye Contact. These will also help you tell your story rather than read it. When the stage lights hit you, it's easy to keep your head down and get sucked into the page. Don't forget to connect with your audience and meet their eye. It's hard to ignore someone who's looking right at you. Gestures help get your story off the page and animate the material. As your character absentmindedly scratches the back of his neck, go ahead and demonstrate.

Slow Down! I'd say 90% of readers go too fast and I guarantee 100% of them think they read at a fine pace. Most of us talk too fast to begin with, but when we're anxious, we only speed up. Always slow yourself down and give every word full value. Often, a slower speed helps build the tension and suspense.

Speak up! Most readings you'll have a mic, but if you don't, make sure you get your voice up so even the folks in the back can hear you.

Mind your body. When you read, you don't want your feet glued to the floor, but you don't want to be running the marathon either. Command your presence on stage by turning to either side every few pages and addressing your full audience. Again, it doesn't hurt to practice this at home.

The best practice is doing this in front of an audience, so attend a few open mikes to get more comfortable. Once you're published, you're going to have to read aloud and speak in front of audiences, and by then, the stakes are a lot higher. As with anything, practice makes perfect, so start attending the smaller readings before you hit the big time.

Must-See Monday

Now that you're recovered from the BBQ filled three-day weekend, check out these great literary events:

Need some book recommendations? Stop by Book Cellar (4736 N. Lincoln) on Wednesday, September 9th at 7:00pm for Book Reps Rep Book Club Books. The area's publishing experts share their picks for great book club books.

Prose, Poetry and Pints returns Thursday, September 10th at 7:30 at Wild Pug (4810 N. Broadway). This month's readers include Aldo Alvarez (Interesting Monsters), Kathie Bergquist (A Field Guide to Gay and Lesbian Chicago), and Mark Kendrick (Desert Sons). And don't forget to bring a couple pages to read during the open mike portion!

If you're in the western suburbs, stop by the Oak Brook Barnes and Noble (297 Oak Brook Center) on Saturday, September 12th at 2:00pm to meet Tasha Alexander and pick up your signed copy of TEARS OF PEARL.

Or, if you're further north, stop by the Schaumburg Public Library for "Coffee, Tea, and a Smoking Gun" from 10:00am-4:30pm on Saturday. The event is free, open to the public, and includes workshops some of Chicago's finest authors: Jamie Freveletti, Sherrill Bodine, Laura Caldwell, Patricia Rosemoor, and others.

Labor Day Weekend Reading

In honor of the holiday weekend, this week's selections are dedicated to the working man, specifically, police officers. Here are a few of my books featuring my favorite overworked and underpaid detectives.

One of the most famous fictional detectives is Michael Connelly's Harry Bosch. There are a lot of great books featuring the LA detective, but my two favorites are THE LAST COYOTE and THE NARROWS.

Kate Gillespie is Robin Burcell's hard working San Francisco Police Officer. With this series, start at the beginning with COLD CASE. Three more follow.

Another favorite series detective is Brian Freeman's Jonathan Stride. Often teamed up with female counterpart Serena Dial, Stride is a compelling character who throws himself head-first into every investigation. IMMORAL is the first in the series, followed by STRIPPED, STALKED, and IN THE DARK.

For a non-series detective, and one of my top ten favorite books, check out CLOCKERS by Richard Price. Rocco Klein is the definition of overworked and underpaid, and is one bad shift away from burnout. At times you hate him, others you feel sorry for him, changes scene by scene. But his character has depth and is extremely well written, which is compelling no matter how you feel about the guy.

Writer's Block: The Bookstore Schmooze

As an author, one of the most important players to have on your team, is the book seller. They are the ones recommending and hand selling your book. Because most of you are avid readers and have to-be-read piles up to the ceiling, you usually don't seek out a book seller's advice on what to read. But you're not the norm.

Last week, instead of bringing my laptop to the local cafe, I went to a Barnes and Noble to work. Their cafe was positioned across from the customer service desk, close enough that I could hear each inquiry. In the three hours I was there, I heard seven people ask for some sort of book recommendation:

"I liked GIRL WITH THE DRAGON TATTOO. Do you have another book like that?"
"My dad really likes Law and Order. Do you have any books like that?"
"My daughter read all the Stephanie Meyer books. Now what?"

As an author, you want your book to be the answer to these questions, and unless you have a rapport with the book seller or are on the NYT bestseller lists, it probably won't.

Obviously, you cannot visit every bookstore in the country, take the seller out for a drink and schmooze, but there are plenty of ways to make a connection without breaking the bank or using up your frequent flier miles:

Identify Key Bookstores. Since you can't contact every bookstore in the country, pick out ones that are priority. These are the bookstores in your area and the ones outside your area that sell a lot of books. If you write crime fiction, stores like Seattle Mystery Bookshop, Murder by the Book in Houston, and Mystery One in Milwaukee do a lot to promote authors and sell a ton of books to collectors (which means signed first edition hardcovers). Literary authors should check out Book Passage in San Francisco and Book Cellar in Chicago. They have great programming, extensive mailing lists, and a very loyal customer base. You can also consult with your publicist on these matters.

Book Signings. Once you've identified the key bookstores, you'll need to schedule signings. Most authors get discouraged at out of town book signings as there is usually a low turnout. Even Michael Connelly and George Pelecanos only had 20 people at their signing and they're well known, bestselling authors. Remind yourself that you're not only there to sell books. The main purpose is to meet the seller, start a rapport and sign their stock.

Drop Ins. Many of the high profile bookstores book up fast. If they don't have any signing time available, ask if it would be okay for you to drop in and sign their stock. Always let the book seller know you're coming so you can ensure they'll be available. It also doesn't hurt to bring bagels, doughnuts, or some other treat for their break room. People are a lot more likely to sit and chat if they have food in front of them. You should also sign stock at all the bookstores in your area, but don't worry about schmoozing every seller. You don't have the time and if they're not the type of store that hand sells books, it's not worth it to you anyway.

Galleys and handwritten notes. If you are unable to make it to a few of the priority bookstores, make sure to send a galley along with a handwritten note. The galley will encourage bookstore employees to read the book and hopefully recommend it. The handwritten note shows that you care enough to take the time out of your schedule, even if your schedule didn't allow for a special trip.

Give 'em some buzz. If there is a bookstore that has been particularly supportive of your career and always recommends your books, it doesn't hurt to send some business their way. Thank the bookseller in your acknowledgements, mention them on your blog or twitter account, recommend the store next time your on the radio. They'll never forget it.

Must-See Tuesday

Sorry for the delay folks, but I am semi-recovered from the Chicago Triathlon and back with new must-sees.

Tonight, check out the bi-monthly performance series, Homolatte, at Big Chicks (5024 N. Sheridan). Enjoy a reading by the talented Darwyn Jones and musical stylings by Phil Putnam.

If you'd rather drink and buy books, Tasha Alexander is celebrating the release of her new novel, TEARS OF PERIL. Stop by the Lincoln Park Borders (2817 N. Clark) tonight at 7:00pm, buy a book and meet Tasha, then head out to drinks with the gang afterwards.

For more drinks and a lot more debauchery, check out RUI: Reading Under The Influence on Wednesday, September 2nd at 7:00pm. This months readers include J. Adams Oaks (Why I Fight), Nadine Warner, Kyle Chaney, and Gapers Block editor Ramsin Canon. As always, the kind folks at Sheffield's (3258 N. Sheffield) host.

I cannot believe I've lived in Chicago all my life and never knew about the Book Cellar Adult Spelling Bee (4736 N. Lincoln). I have every intention to check it out on Thursday, September 3rd at 7:00pm. Guest judges include Random House sales rep Bridget Piekarz and authors Claire Zulkey, Billy Lombardo and Stacey Ballis.

Not much going on over the holiday weekend, plenty of time to relax and read!

Cloudy Weekend Reading

As the rain continues here in Chicago and the sun isn't predicted to make an appearance until Monday, it is the perfect weather to cozy up with a book. Pun intended. Though I'm not usually a fan of cozy mysteries, here are a few I really enjoyed:

If you're not familiar with cozies (mysteries where the violence and sex takes place off stage and the action centers around solving a puzzle) start with Agatha Christie's MURDER ON THE ORIENT EXPRESS. She is the woman who started it all with her character, Miss Marple.

Once you have the background, you can move on to contemporary authors such as Julie Hyzy, author of the White House Chef mystery series. The latest installment isn't out until January, so take this weekend to catch up with HAIL TO THE CHEF and STATE OF THE ONION.

For a historical cozy, try Victoria Thompson's MURDER IN CHINATOWN. It is part of the gaslight mystery series set in turn-of-the-century New York and features midwife Sarah Brandt.

Writer's Block: Time Management

Time is something that is never on our sides. We have too little of it and we run out of it far too fast. Unfortunately, writer's need time to plan, edit, promote, and...oh yeah, write! Many of my clients are parents or have day jobs. When I tell them they should be twittering, updating their website/Facebook, and visiting certain bookstores, they look at me like I'm nuts. "Who has time for that?" In a perfect world, writers would write and someone else could take care of the marketing. But we don't live in a perfect world, so here are a few tips and tricks to more effectively manage your time.

Organize. I recently obtained a Blackberry and immediately fell in love. Not because of the internet or the twitter app (although I do love those) but because of the task reminders. I sometimes forget to open Outlook until I'm well into my morning or I'll forget to enter an item into my calender. Now, I can record tasks even when I'm away from the computer and if I forget, a little buzz and a couple beeps remind me. You don't want to waste time figuring out what you're supposed to accomplish that day. Write To-Do lists, utilize your smart phone, stick post-it notes to the computer, whatever works. But when you wake up and pour that first cup of coffee, you should already know what's on the agenda for that day.

Have a plan. My brain begins slowing around 6pm and dissolves into mush by nine. I work best and I'm the most creative in the morning. Therefore, e-mails, phone calls and errands are pushed to the afternoon. If I have a lot on my plate that day, I wake up a couple hours earlier. Some writers work better at night, which is fine. But if your muse visits you after dinner, make sure you complete all administrative tasks prior to sunset.

Set limits. If you wanted to, you could waste your entire day on Twitter and Facebook alone. It's a good idea to only dedicate 1-2 hours a day to social networking. Anything more than that takes away from writing and isn't the best use of your time. Also, it's easy to respond to every e-mail right when it comes in or to pick up every phone call. If you need to write a certain amount of words, don't let yourself answer the phone or check e-mail until you've reached your word count. You'd be amazed how much quicker you complete tasks when you focus on one thing at a time.

Use all the tricks. Why update both Facebook and Twitter when you can link the two? Why Twitter about every blog post when you can set up an automatic tweet? Why blog everyday when you can write five blog posts in one day (after you've reached your word count of course) and schedule them to post throughout the week. Using these tricks can save you precious writing time and overall, simplify your marketing efforts.

Delegate. There are many marketing and administrative tasks that you don't necessarily have to do yourself. Many of my clients hire me not only for my contact list, but so I can give the marketing effort they don't want to do themselves. Sending out books, visiting bookstores, setting up Twitter and Facebook; all of these take time and many authors would rather use that time to write. If you're not in a financial position to hire an assistant, publicist or manager, reach out to your network. Is your husband a computer whiz? Let him manage your website and Facebook pages. Don't have time to visit every bookstore in the US? Tell your aunt in Omaha, your college buddy in Ann Arbor, your in-laws in LA and your Bubbe in Boca to head down to their local bookstores and libraries and ask for your book. If you delegate the tasks you don't need to complete yourself, you will have less stress and more time to write.

Feel free to comment with your own time-saving tips and tricks. We can never have too many!

Must-See Monday

The Book Cellar (4736 N. Lincoln) hosts "The Brother's Delacorte" on Wednesday, August 26th at 7:00pm. This is group of YA authors - Daniel Kraus, James Kennedy, and Adam Selzer - are all published under the Delecorte imprint. Stick around until 8pm for Never Too Old, the YA book group for adults.

If you prefer a reading that's 21+, head over to Red Kiva for 2ND STORY, also on Wednesday at 7:00pm. A combination of storytelling, music, and wine; what better way to spend you evening?

Head over to Bloomingdale's (900 N. Michigan) on Thursday, August 27 5-7pm to meet Laura Caldwell, author of the Izzy McNeil Trilogy. Receive a free book with any Bloomingdale's purchase and Laura will be happy to sign your copy.

Friday, August 28th at 5:30pm, Th!nk Art (1530 N. Paulina) hosts the William Burroughs 50th Anniversary Celebration. $60 in advance and $75 at the door earns you food and open bar and the proceeds will fund a documentary film on the famous author. Music by Maya Jenson, food by David Leigh and readings by Anne Waldman, Kurt Henner, and Davis Schneiderman.

Weekend Reading

After reading Sarah Weinman's review of Thomas Pynchon's INHERENT VICE, I'm going to have to pick up a copy and see for myself. He lightens up with this one, Weinman speculates that could have read Hard Case Crime novels as research, and the book trailer definitely intrigued me.

Also new to the shelves is VANISHED by Joe Finder. This is the first in the Nick Heller series, a high powered investigator with Special Forces training. All of Finder's novels are gripping page-turners, so VANISHED is a perfect weekend read.

If you want something light and fun, I recently read Sherrill Bodine's TALK OF THE TOWN. The novel features gossip columnist Rebecca Covington, a fabulous fashionista who knows everyone worth knowing in Chicago. The tone is light, fun, over the top, and Chicagoans should get an extra kick out of it.

Wednesday Writer's Block: Channelling the Muse

Writers are artists. The work we produce is subjective and comes from inspiration. But when you're on a deadline, you don't have time to wait for your muse to show up. There's a reason most career novelists can write a good book every year: they know how to channel their inspiration.

A Few Tips for Channelling The Muse:

Location. Write in a place that's free of major distractions. Background noise at a coffee shop or park can be beneficial, but you don't want the phone ringing off the hook or the dog begging for a walk.

Timing.Writing at the same time every day will train your brain to be creative on a regular schedule. Most writers don't have all day to reach their word count; they squeeze in a few hours of writing before work or after the kids have gone to bed. Writing on a regular schedule will cut down on the brainstorming or "warm up" time and will prevent hours spent staring blankly at a computer screen.

Think. This one seems pretty obvious, but it's easy to forget your story throughout the day. Most of the writing process is brainstorming, and what's great about brainstorming is you don't have to be in front of a computer to do it. While you're doing the laundry, commuting, sitting in a waiting room, think about your story and it's characters. Try to solve some of the plot problems or develop the characters in your head (it also helps to carry a small notebook). The more your story is in your head and the more problems you work out prior to sitting down at the computer, the easier the writing will come.

Read. I know a lot of writers who cannot read during the writing process, but for most of them, that only applies to fiction. Reading regularly will keep you accustomed to storytelling. If you are a crime writer, you may not be able to read crime fiction mid-manuscript, but you can read newspapers, magazines, and non-fiction books. For me, it helps to read in the genre I'm writing. It often acts as inspiration, but mostly I read to see how other writers handled similar situations. We'll often hit obstacles such as point of view shifts or backstory; it helps to see how other writers conquered the hurdles.

Some writers have their favorite chair or a lucky pen, but for me, these practical tips are enough to keep the creative juices flowing. What about you? How do you channel your muse?

The Chicago Contingent On Vacation

I'm heading out to San Francisco first thing in the morning and leaving my computer at home. If you need a fix of book reviews and literary musings, check out some of my colleagues:

Confessions of an Idiosyncratic Mind
The Rap Sheet
Jason Pinter
Murderati
The Outfit Collective

For must-sees, try:
Metromix
Time Out
Flavor Pill

We'll be back to our regularly scheduled programming with Writer's Block Wednesday.

Writer's Block: Q&A with Linwood Barclay

I had so much fun with Marcus last week, I decided to invite an author again this week. Joining today's writer's block is Linwood Barclay whose latest novel, FEAR THE WORST, launched this week. Linwood is a master at suspense and, before heading out on tour, he was kind enough to offer a few pearls of wisdom:

Dana Kaye: Speak a little about your writing process. After writing eight novels, how has your writing process changed over the years?

Linwood Barclay:Well, for one thing, I don't print them out anymore. I used to print out each chapter as I went, but now I just write the whole thing as one file without ever hitting the "print" button. But I suspect that's not what you meant by the question. I don't think my process has changed all that much, but I hope I'm getting better at it with each book. I'm aware of the things I don't do as well as I'd like, and try to improve each time. I'm also learning to listen to that voice in the back of my head that warns me when something is not going well. I've regretted it in the past when I've not listened.

DK: What draws you to writing ordinary people thrust into extraordinary circumstances?

LB:I'm an ordinary person, so I write about the kind of person I know best. I find it easier to get inside the head of a regular guy than some brilliant detective or spy or ex-military loner. Not that I don't love books about those kinds of heroes, but I don't typically identify with the situations a Jason Bourne might find himself in. But a father whose daughter is missing, I think that's a character, and a situation, a great many readers can imagine themselves in.

DK: All of your novels are packed with suspense. What tips and tricks can you offer about maintaining tension on every page?

LB: I like chapters to end with a revelation, or a turning point. That bit of white space between chapters creates a "dramatic pause" effect for me. And I love performing the thriller equivalent of a magic act. I've got you looking over here, but what really matters is happening over here, up my sleeve. But mainly, I try to write something that keeps me interested. If I'm getting bored, then the reader will get bored.

DK: The world of publishing has drastically changed since the publication of your first book. Kindle sales are rising, newspapers are shutting down, etc. How are your promotion strategies adapting to the changing market?

LB: I'm glad I'm not the one who has to devise the promotional and marketing strategies. But FEAR THE WORST is the first book where I have gone on not only real tours -- Hong Kong, Australia, New Zealand, the U.S. and Canada -- but a blog tour. I like the part about not having to pack. The situation with newspapers concerns me deeply, having worked for them right up until last year when I decided to work exclusively on books. And among the many things newspapers have cut back in the space devoted to book reviews. It's more difficult to get books reviewed in the pages of a newspaper, but the blogs and other sites are trying to fill the gap.

DK: What piece of advice can you offer aspiring novelists?

LB: Two of three things. The first, of course, is to write. Even if you are the only one who ever reads the material. And persevere. I had written a couple of novels by the time I was 21, and thankfully, they were not published. (Not that there was even the slightest risk of that happening.) My first book -- not a novel -- wasn't published until I was 41. And my first novel came out when I was 49. So, you have to stick with it. The other advice: Read. You can learn so much by reading. All sorts of things. Stephen King's book On Writing is as good as anything I've ever read when it comes to advice in this area.

Check out Linwood Barclay and FEAR THE WORST, coming to a bookstore near you:

Borders in Baileys Crossroads, VA August 13 at 7:30pm

M is for Mystery in San Mateo, CA August 14 at 7:00pm

Mysteries to Die For in Thousand Oaks, CA August 15 at 1:00pm

The Mystery Bookstore in Los Angeles, CA August 15 at 4:00pm

Mysterious Galaxy in San Diego, CA August 16 at 2:00pm

Murder By The Book in Houston, TX August 17 at 6:30pm

Joseph-Beth Booksellers in Cincinnati, OH August 18 at 7:00pm

Books and Co in Dayton, OH August 19 at 7:00pm

Must-See Monday

PURSUIT OF HAPPYNESS author Chris Garnder visits the downtown Borders (150 N. State St.) on Wednesday, August 12th at 12:30pm.

Stop by Quimby's (1854 W. North Ave.) on Thursday, August 13th at 7:00pm to celebrate the launch of THE 2ND HAND's 32nd issue. Includes readings by Patrick Somerville and CT Ballentine.

Also on Thursday, check out "Prose, Poetry and Pints" at the Wild Pug (4810 N. Broadway). Readings by novelist Stephanie Kuehnert and poet Robert McDonald as well as an open mike.

For you out of towners, Marcus Sakey is doing a Midwest regional tour this week and maybe coming to a bookstore near you:

Joseph Beth Booksellers in Cincinnati, OH on Wednesday, August 12th at 7:00pm
Mystery One Bookshop in Milwaukee, WI on Thursday, August 13th at 7:00pm
Aunt Agatha's Bookstore in Ann Arbor, MI on Saturday, August 15th at 1:30pm

Weekend Reading

Received my package of Pinter books this week, so I'm planning on diving in to THE FURY and THE DARKNESS over the weekend. THE FURY is the first in the two-part Henry Parker epic and THE DARKNESS releases in December. Love that Pinter is flooding the market and I love that he sent me advance copies because I know I won't want to wait til December for book #2.

The Crimespree Awards were announced Monday. Award the winners by picking up their books:
Favorite Book of 2008: TRIGGER CITY by Sean Chercover
Best in an ongoing series: CHASING DARKNESS by Robert Crais
Favorite comic books writer: Brian Azzarello (Author of THE JOKER and the 1000 Bullets series)
Favorite original paperback: MONEY SHOT by Christa Faust

Another winner is Once Upon A Crime in Minneapolis, voted favorite mystery bookstore. If you're in the area, be sure to stop by.

And finally, in case my last two posts weren't clear, pick up a copy of THE AMATEURS by Marcus Sakey. Last time I'm going to say it, I promise.

Writer's Block: Q&A with Marcus Sakey

Though I love doling out writing tips and discussing marketing trends, sometimes I like to let someone else grab the mic. So today, I've invited Marcus Sakey, a talented Chicago author, to discuss writing and his latest novel, THE AMATEURS.

Me: Talk a little about your writing process. How has it changed from book #1 to #4?

Marcus: More than I thought it would. That old axiom about every book being different? It's spot-on true. I've become a more organized writer with each book, which helps when the fear sets in. I outline the overall shape, and where it makes sense, I apply a three-act structure. There's less wing-it-and-pray and more take-this-hang-glider-off-the-cliff-and-still-pray.
This is a strange and scary way to make a living. You need to strike a balance between planning and inspiration. Lean too far either direction and you're likely to end up with something that's either stale or scattered. I guess the biggest change is that having done this a couple of times, I know to expect certain traps. I know that around page 200 I'm going to hate the whole damn project. I know that nearing the end, I'm going to hit problems that seem unresolvable. But I also know that (fingers crossed) if I just keep banging my head against them, eventually I'll break through.

Me: What research do you do for your novels?

Marcus: I tend to research all the fun stuff. I've ridden with gang cops, gone shooting with Special Forces, toured the morgue, learned how to make chemical weapons, practiced picking a deadbolt. Generally, if research involves a fair chance of hurting myself, I'm in.

Me: THE AMATEURS is about 4 friends; are these characters based on people you know?

Marcus: The characters aren't, but part of the setup is. When I lived in Atlanta I had a group of die-hard friends that got together every Wednesday night for drinks and conversation and laughter. It was a very intense, very intimate friendship, and that provided part of the idea of the novel. That said, there was less sex and murder in the Wednesday Night Crew than in the Thursday Night Crew. Praise be to Allah.

Me: How did the idea for THE AMATEURS come about?

Marcus: My books don't get traction in my head until an issue seizes me. In this case, there were two: first, I wanted to write a novel about how best friends could become the most effective enemies. And second, I wanted to explore the question of whether it's better to save the lives of a lot of people you don't know, or a handful you do. Those kinds of questions are what really fuel my books, or at least fuel me in writing them. I think that's why I write crime fiction: I like both playing with ideas and writing about pistol whipping.

Me: What advice would you give to an aspiring novelist or debut author?

Marcus: It's always the same. Ass in chair, fingers on keyboard. That's how it works.

Want to hear more? Stop by Marcus's launch party tomorrow, 7:00-10:00pm at Sheffields (3258 N. Sheffield). Free beer and books available for sale.

Must-See Monday

Start the week off right and head over to the Twilight Tales open mic, tonight at 7:30pm at the Bourgeois Pig Cafe (738 W. Fullerton). This long running reading series has an emphasis on speculative fiction, so bring in your work-in-progress and take it for a test drive!

The Bookslut Reading Series returns to Hopleaf (5148 N. Clark) on Tuesday, August 4th at 7:30pm. This weeks guests are journalist Katherine Joyce and Chicago Tribune columnist Mark Caro.

Head over to Sheffield's (3258 N. Sheffield) on Wednesday, August 5th at 7:00pm for RUI: Reading Under the Influence. This month's featured reader is Chicago author Marcus Sakey. He's both a talented writer and talented drinker, so it's sure to be a good time. He joins Dennis Frymire, Tim Weaver, and RUI's Amy Guth.

If you like what you hear on Wendesday, return to Sheffield's Thursday 7:00-10:00pm for the release of THE AMATEURS, Marcus Sakey's fourth novel. The drinks are free and the books are for sale.

Weekend Reading

I just bought THE GIRL WHO PLAYED WITH FIRE by Stiegg Larson and cant wait to dive in. If you haven't read the first novel, THE GIRL WITH THE DRAGON TATOO, pick it up immediately.

If you're heading on vacation, pick up a copy of BOCA KNIGHTS by Steven M. Forman. It's about a retired cop who moves down to Boca Raton. Forman does a great job describing the over the top characters and all the silly politics that go on in the city of retirement communities. If you happen to be Jewish, you'll enjoy the book even more as parts of it are reminiscent of PORTNOY'S COMPLAINT.

Finally, Laura Caldwell's last installment of the Izzy McNeil trilogy, RED WHITE AND DEAD, releases this weekend. Be sure to complete your collection!

Writer's Block: Author Marketability

I've spent much time discussing ways for authors to market their books, but what about authors marketing themselves? In a perfect world, only the writing would matter and readers wouldn't care how attractive or charming the author was. But, we're not in a perfect world. Your marketability matters.

Marketability Factor: Conversation Skills
If you can't talk about your book, people aren't going to want to buy it. Talking and relating to people is half the process of selling a book. Most of the books I purchase are written by authors that I've met and spoken with. If I didn't enjoy their conversation, I assume I won't enjoy their book. If you have a tendency to be awkward in social situations, practice with someone you feel comfortable talking to.

Marketability Factor: Platform
We can't all be lawyers or bomb experts or former CIA operatives. Most of us are everyday people who happen to write books. But having a platform doubles your marketability as an author. Go through your book, go through your life, what makes it special? Do you have any hobbies that relate to the book? Is there something in your heritage or culture that would appeal to readers? As a publicist, I do this for authors on a regular basis. There's always something.

Marketability Factor: Contacts
The more people you know, the more people you know who will buy the book. Knowing the right people can lead to media exposure, awards, and topping bestseller lists. If you've been attending writing conferences or stockpiling Facebook friends and twitter followers, you probably have more contacts than you think. Remember, when you go out on tour, most of the audience will be people YOU bring. You can't count on the bookstore to draw a crowd. But if you pull from your contacts and have a great turnout, the bookstore is sure to have you back.

Marketability Factor: Charm
It makes sense that the more charming you are, the more books you'll sell. Authors like Barry Eisler, Marcus Sakey, or Laura Caldwell could probably sell me an essay from 3rd grade for twenty-five bucks. This sort of ties in to conversational skills, but charm is something more. It's about knowing how to relate to people. Not all of us are born with this gift. It may take practice. Attend the panels at writer's conferences and observe the authors that get a lot of attention. They're funny, are able to speak to an audience and relate to other people. Keep this in mind when your talking to a potential reader, agent, or reviewer.

Marketability Factor: Drive
Agents and editors love a writer with drive. They know their client will produce good work in a timely manner and do everything they can to get their career off the ground. Readers will respond to dedicated authors, especially those who work hard to reward their fans with contests and signings. No one likes a lazy bum. Charm and charisma can be difficult to attain. Working hard only requires putting in the effort.

Retiring Top Ten Tuesdays

As you may have guessed, blogging four days a week has proved to be too much. Therefore, I have decided to retire Top Ten Tuesdays until further notice.

Stop by tomorrow for a brand new Writer's Block Wednesday!

Must-See Monday

Stop by Hopleaf (5148 N. Clark) on Wednesday, July 29 for the Bookslut Reading Series. The literary blog hosts an evening of non-fiction writers Adam Frank, Luke Bergmann, and Rachel Shteir. I haven't heard any of the readers before, but if nothing else, Hopleaf has a great selection of beer!

The 2nd Story reading series returns, this time to Red Kiva (1108 W. Randolph) also on Wednesday, July 29th at 7:30pm. Writers/preformers Rosie Forrest, Larry Kerns, and Julie Ganey read original work set to live music.

The fifth annual Printer's Ball kicks off Friday, July 31 at 5pm. Head down to 1104 S. Wabash and check out the showcase from the Columbia College Book and Paper Department, load up on free books and magazines from various small presses, and participate in paper making and book binding demonstrations.

Weekend Reading

Everyone is talking about Jeff Abbot's TRUST ME and with good reason. I haven't had the chance to pick up his latest yet, but man, that guy can write! I remember reading PANIC in one sitting, my heart racing the entire time. I can't wait to see what he has in store next, but I'm going to have to clear my schedule.

If you enjoy short stories, pick up a copy of UNCAGE ME, the latest anthology edited by Jennifer Jordan. With an introduction by John Connolly and stories by Christa Faust, Victor Gischler, Declan Burke, Gregg Hurwitz and others, UNCAGE ME is full of talented storytelling.

In the mood for something literary? I WANNA BE YOUR JOEY RAMONE author Stephanie Kuehnert's second novel, BALLADS OF SUBURBIA, releases today. She writes wonderful characters, often the weird kids at school who are haunted by their family lives. She's not afraid to write the hard scenes, which leads to brutally honest writing.

Belated Writer's Block

Deadlines, house guests, and many other distractions have caused me to fall behind in my blogging. But don't worry, my fellow bloggers have plenty of writing advice for you:

Blair Hurley suggest reasons your story isn't getting published
JT Ellison talks about her idea box over at Murderati
Jason Pinter suggests conferences should be free for those under 18
Sharon Wheeler discusses the Big Brother effect of Amazon


Enjoy!

Top Ten Tuesday

Top Ten Places to Write in Chicago

1. Book Cellar in Lincoln Square - they serve wine and you're surrounded by books
2. Cafe Ennui in Rogers Park - funky cafe with outdoor cafe serves up inspiration with their beverages
3. Coffee Studio in Andersonville - free Wi-Fi and is popular with many Chicago writers
4. Harold Washington Library in the Loop - especially convenient if you need to research as you write
5. Metropolis in Edgewater - free Wi-Fi and they serve food if you're going to be there a while
6. Millennium Park in the Loop - plenty of benches and grassy knolls to sit away from the tourists
7. Promontory Point in Hyde Park - peaceful scenery along the lake is perfect to channel your muse
8. Red Lion Pub in Lincoln Park - friendly staff and quiet atmosphere when there isn't a Cubs game
9. Sheffield's in Lakeview - beautiful outdoor beer garden and a great selection of food/beverages, also quiet when there isn't a Cubs game
10. Starbucks at North and Wells - open 24 hours for all you night owls

Must-See Monday

Uncover the lies your parents told you by heading down to Barbara's Bookstore (1218 S. Halsted) on Tuesday, July 21st at 7:30pm when Dr. Aaron Carroll and Dr. Rachel Vreeman discuss their new book DON'T SWALLOW YOU'RE GUM: Myths, Truths and Outright Lies About Your Body and Health. Haven't read the book, but it sounds like a fun read.

Columbia College professors Ann Hemenway and Eric May read original work at The Poison Pen (1128 W. Armitage) on Wednesday, July 23 at 7:00pm. Both are talented readers and excellent oral storytellers.

Book shelves looking bare? Head over to the Newberry Library Book Fair (60 W. Walton) Thursday, July 24 and Friday, July 25 12:00-8pm and Saturday, July 26 10am-6pm.

Chicago author Stephanie Kuehnert reads from her new novel BALLADS OF SUBURBIA at Women and Children First (5233 N. Clark) on Thursday, July 24 at 7:30pm. She's a fellow Columbia College grad and the author of the critically acclaimed I WANNA BE YOUR JOEY RAMONE.

Weekend Reading - Hard Case Crime

It looks like it's going to be a busy weekend, so I need some good, quick reads to squeeze in between happenings. Hard Case Crime is perfect. They publish pulp novels, some new some old, but all of them are gritty crime fiction you can stick in your back pocket. Here are the ones I'm picking up this weekend:

HOUSE DICK by E. Howard Hunt. Hunt used to be a spy in the CIA and was the inspiration for the Ethan Hunt character played by Tom Cruise in Mission Impossible. He writes this detective novel with insider knowledge of what goes on in Washington DC.

PASSPORT TO PERIL by Robert B. Parker. This is a cold war novel originally published in 1951 by "the Original" Robert B. Parker. No, it's not the same Parker who penned the Spenser series; this Parker is a little known pulp novelist who spent three years crossing borders without a passport and evading arrest by the Gestapo. He's another author who has the background to give this fictional story authority.

CASINO MOON by Peter Blauner. This too is a reprint, but it's a reprint of a novel which was published only 15 years ago. It's also twice as long as the typical Hard Case Crime novel. But the premise is intriguing: son of an Atlantic City Monster tries to escape the life of crime by creating a comeback for a washed-up boxer (and of course sleeping with the round card girl).

More books can be found on the Hard Case Crime website. I'm also a fan of THE CUTIE, KILLING CASTRO, and MONEY SHOT.

Bonus Must-See

Indie rock band, 20 Mark Helga, will be playing at the Elbo Room (2871 N. Lincoln) tomorrow night. Show starts at 8:00pm, they go on at 9:00pm. Tickets are available online and at the door. Here are the links:

Buy tickets for the show
Hear their music
Follow them on Twitter
Become a fan on Facebook

Their shows are always a lot of fun and the Elbo Room is a great venue. I'll be there, so stop by and say hello!

Writer's Block: Revision

Writing is rewriting. We've been told this hundreds of times. The first drafts is just the beginning. There will be a second, a third, possibly a fourth. Plot points will change, scenes will be deleted, characters will be killed off. For me, this is the part of writing I dread. But I've gone through this process enough to learn a few things.

Get some distance. You cannot finish draft one and immediately go back to the beginning and begin draft two. You're too close. Put the book in a drawer for a few weeks, even a month. If you remember your work too clearly, you won't see what needs to be changed.

Cut, cut, cut. It's been said so many times, it's probably cliche: kill your darlings. Those beautifully written scenes, the ones that aren't really forwarding the overall plot, get rid of them. If it makes you feel better, put the deleted scenes in a file folder, just in case you need them. But you won't.

Add, add, add. Often times we are so roped up in the writing, that we forget to add texture to a scene. Look at the sections that are mostly dialogue or action and add description, internalization, depth. Even action sequences deserve to be slowed down and described; it often makes them more suspenseful.

Play with Structure. The order of chapters is not set in stone, nor is the timeline of your story. Don't be afraid to switch events, switch chapters, or change the major turning points. Sometimes a first draft is more like a 400-page outline. You're working out the structure of your story, and in the end, it may need to be changed.

Get feedback. During the revision is when you really need your critique group or other first readers. It's very easy to get stuck or to not know if something is working. Talk it out with your trusted readers, give them portions of the revision to read. The feedback won't only help you see needed changes, it will give you motivation to keep going.

Feel free to leave your own revision tips. We've all been there and if you're like me, it can be a stressful/frustrating part of the writing process. But in the end, you'll have a better book, which makes all this craziness worth it.

Top Ten Tuesday

Top Ten Book Marketing Tools That Don't Require Leaving the House:

1. Blogging
2. Calling in to book clubs
3. Electronic newsletters
4. Mailing books to independent bookstores and libraries (if UPS comes to pick them up!)
5. Posting short stories to sell on Amazon
6. Radio interviews
7. Sending postcards and giveaways to fans
8. Social Networking (Twitter, Facebook, etc.)
9. Soliciting book reviews from newspapers, magazines and websites
10. Submitting listings to local papers and websites advertising your book signings

Must-See Monday

Head over to the Hungry Brain (2319 W. Belmont) on Monday, July 13th at 8:00pm for a reading hosted by local literary magazine The2ndHand.

Voice your opinions at the Women and Children First community forum on Tuesday, July 14th at 7:30. Stop by the bookstore (5233 N. Clark) and let the booksellers know what you hope to see in the store's future.

Laura Caldwell signs copies of RED HOT LIES and RED BLOODED MURDER at the Webster Place Barnes and Noble (1441 W. Webster) on Wednesday, July 15th at 7:30pm. Joining her will be debut novelist and fellow Chicagoan, Henry Perez.

Or, check out The Book Cellar's Local Author Night (4736 N. Lincoln) at 7:00pm on the 15th. This month's featured readers are Robert Rodi and Bryan Gruley. Seems like an unlikely pairing aside from both being talented writers, but it should be a fun night.

Head back to WCF (5233 N. Clark) on Saturday, July 18th at 7:30pm for the Sappho's Salon Anniversary Show. Readings by poetry duo Aquamoon and local author Kathie Bergquist.

Weekend Reading

Lots of new releases this week which means you'll have plenty to read over the weekend!

Check out Theresa Schwegel's LAST KNOWN ADDRESS. She's a Chicago author and writes wonderful, hard boiled police procedurals.

Also out this week is SHADOW OF BETRAYAL by Brett Battles. Brett is another talented writer and this is the third book in the Jonathan Quinn Series. Want to catch up? Check out THE CLEANER and THE DECEIVED.

I haven't had a chance to read it yet, but I can't wait to pick up the first of Karen E. Olson's new series THE MISSING INK. Protagonist Brett Kavanaugh is the owner of an elite tattoo shop in Vegas. With all the story possibilities, I anticipate a long, entertaining series.

Top Ten Thursday

Top Ten Items Writers Can't Live Without

1. Books - both for research and for inspiration
2. Booze - how else do you reward yourself after hitting your daily word count?
3. Coffee - caffeine and creativity are obviously related
4. Computer - not just for writing but for distracting ourselves with YouTube and Facebook
5. Hobbies - we all need something to get us away from the computer. H0bbies can also be the source of inspiration
6. Libraries - for the books and the resources, but also for the readers there
7. Munchies - can't write on an empty stomach!
8. Notebooks - especially the ones that fit right in your pocket
9. Reassurance - in an industry full of rejection, we often need pep talks
10. Workshops or Writing Groups - for the camaraderie and the feedback

Writer's Block: Conferences

I'm off to Thriller Fest this weekend while some of my colleagues are hanging back for ALA, and even though I spoke on this topic a few years ago, I thought I'd touch on the subject again.

Conferences are the perfect place to attend informative panels, meet other authors, and network with industry professionals. Some of my most important contacts I made at writer's conferences. While they can be extremely fun and beneficial, it's important to be productive and use discretion. Otherwise, you could end up spending thousands of dollars on registrations, hotels, and flights all over the country.

Consider the following before registering for a writer's conference:

Why? Why do you want to attend? How will you benefit? Bouchercon is a fan-based conference, so it is perfect for novelists promoting a book. Thriller Fest is more industry centered. Authors meet their publishing team and newbie writer's pitch at AgentFest. It's less about book promotion. Something like ALA is the perfect conference for authors because it gives them an opportunity to promote their books to librarians (very important book buyers). Make sure you're attending the right conference for the right reasons.

Cost. If the conference is local, you'll save on travel, hotel and dining expenses. If it's out of town, consider how much money you'll be spending. Is it worth it? You cannot put a price on networking and making connections, but you can choose wisely. If there are two similar conferences with similar attendees, pick the one that you can drive too or the one where you can stay with family rather than splurging for a hotel.

Once you've registered for the conferences, you'll need:

A Plan. Before you attend a conference, you should have a plan of what you want to accomplish. This may be to introduce yourself to a certain agent that you queried recently or to give away three copies of your book to possible fans. It's easy to get swept up in the camaraderie (and by that I mean drinking), and that's okay. Just keep your eye on the ball and know what you are there to accomplish.

Business Cards. People want to know who you are and how to get in contact with you.

An Open Mind. You will meet tons of people at conferences, and you may be surprised by which contacts actually make a difference. You may be dying to talk to the headlining, NYT bestselling author, but don't shrug off a fellow newbie who offers to buy you a drink. Connelly, Coben, and Lehane were all newbie's once. Bet you wish you had a blurb from them...

Networking and mingling are necessary to succeeding in publishing, whether you're meeting fellow writers, promoting your latest novel, or pitching agents. Publishing is a small community and the more people you know, the better. So if you're in New York, stop by ThrillerFest and meet some industry professionals. Or if you're in Chicago, come down to ALA and hang with authors and librarians.

Old Friends Start New Publishing House

Friends Ben LeRoy and Alison Janssen are leaving their positions at BleakHouse Books to start their own press, Tyrus Books. They are both extremely talented, not to mention awesome, and I can't wait to see where this adventure takes them.

Learn more about Ben, Alison and Tyrus books here.

Must-See Monday + an NYC bonus

The Chicago Contingent was still recovering from the holiday weekend and was a little late posting the must sees. But not to worry, there is still plenty to check out this week (and tune in Thursday for this week's top ten list)

Thursday, July 9th at 7:00pm, head out to Centuries and Sleuths in Forest Park where Rosemary Harris signs copies of her latest novel THE BIG DIRT NAP.

Friday, July 10th at 8:00pm come celebrate the launch of Theresa Schwegel's new book LAST KNOWN ADDRESS. The California Clipper (1002 N. California) hosts.

Stop by the Lincoln Park Zoo (2200 N. Cannon) on Saturday, June 11th between noon and 5:00pm to visit the Digital Bookmobile. Sponsored by the Chicago Public Library, the bookmobile will help guests download audiobooks, music, and more from the library's website.

And for those of you attending Thriller Fest this weekend:

Drop by the HarperCollins book signing at the Mysterious Bookshop (58 Warren St.) on Friday, July 10th 5:30-7:30pm. Authors include James Rollins, Steve Martini, Jamie Freveletti, Sean Chercover, and Hallie Ephron.

And be sure to stop by the bar at the Grand Hyatt New York where agents, authors, and industry professionals will be mixing and mingling. I'll be there, beer in hand, so if you're in NY, swing by and say hello!

July 4th Weekend Reading

I'm going patriotic for this weekend's recommendations. Check out the following books if you're in the mood for a good read:

RED BLOODED MURDER by Laura Caldwell just released this week and is the second installment in the Izzy McNeil trilogy. If you missed the first one, be sure to pick up RED HOT LIES as well.

WHITE TIGER by Aravind Adiga won the Man Booker Prize last year and was selected for the Indie Bound spring/summer reading group. Though it's not crime fiction, Adiga's writing is beautiful and captivating.

BLUE HEAVEN by C.J. Box is his first standalone thriller. Box is a talented writer who knows how to craft a story. Also check out his Joe Picket series and his most recent novel, BELOW ZERO.

Writer's Block: Writing Don'ts

I've written a lot about things to do when writing, but I haven't spent much time discussing writing taboos. As a reader/reviewer there are many things authors do to make me cringe (not in a good way) or worse, put the book down all together. You don't want any reader to put your book down, so here are a few things to avoid:

Coincidences. In life, there are plenty of coincidences. You run into an old high school buddy on the street, you decide to drive to work instead of taking the train and your car breaks down, etc. Coincidences don't have a place in novels. Your protagonist cannot happen to find a gun in a dumpster. Your villain's car cannot break down just as the police are on his tail. One or two coincidences in a novel are okay, but you have to earn them. Make it hard for your characters, don't take the easy way out.

Head-Hopping. This is when the point of view shifts from one character to another in the middle of a scene. It's jarring and it pulls readers out of the story. I understand that it's tempting to tell the story from all perspectives, but if you need to shift point of views, insert a section break before you do. But even that sort of feels like a cheat. I'm more impressed with a writer who can sustain a scene and convey another characters emotions or reactions without going into their head.

Stretching Realms of Believability. Yes, fiction is made up, but you want to avoid disbelief. If you create the world of your story with enough authority, readers will follow you anywhere. Too many far fetched twists or plot lines, will increase readers disbelief and possibly turn them off to the story.

Losing Your Characters. This is particularly true for thrillers where the action drives the plot. It's easy to lose sight of your characters, for them to turn into talking heads or for them to fall off the page all together. But even in thrillers, it is the characters that breathe life into the story, and if you forget about them, your story will fall flat.

Being Predictable. When you're trying to figure out where to take your characters next, the first answer is usually the most predictable one. Be creative, avoid cliche, find a solution that readers won't expect. The best part of reading is being taken on a ride, not knowing what twists and turns will come up next. Predicting the end eliminates the joy of the journey.

Feel free to comment your own pet peeves or writing taboos. I'm sure there are things I left out!

Top Ten Tuesday

I'm sure I will have missed one or two on this list, so feel free to comment and make additions. Remember, these are in alphabetical order by last name, not ranked, and that contemporary means the author must still be alive and writing the series:

Top Ten Contemporary Series Characters

1. Myron Bolitar
2. Harry Bosch
3. Emma Caldridge
4. Ray Dudgeon
5. Izzy McNeil
6. Charlie Parker
7. Joe Pike
8. John Rain
9. Jack Reacher
10. Jonathan Stride

Must-See Monday

Not that many book signings this week, but there are plenty of readings to check out. Here are a few of my favorites, all in the same week!

Monday, June 29th at 7:30pm Twilight Tales hosts it's monthly reading series at Bourgeois Pig Cafe (738 W. Fullerton).

RUI: Reading Under The Influence welcomes Jonathan Messinger and Patrick Somerville on Wednesday, July 1st at 7:00pm. Sheffield's (3258 N. Sheffield) hosts, providing great beer to compliment the reading and trivia games.

The last reading series worth checking out this week is at Uncommon Ground (3800 N. Clark). Story Club features improv, readings, oral storytellings and sketch comedy. Friday, July 5th at 8:30pm.

Weekend Reading

This weekend, I'll be diving into THE END OF BASEBALL by Peter Schilling. This debut novel chronicles the baseball season of 1944 and features historical characters such as President Roosevelt and J. Edgar Hoover.

I just finished James Rollins's latest, THE DOOMSDAY KEY. It's a great mixture of thriller and historical. Very reminiscent of DA VINCI CODE...except with character development...and accurate research...

A few weeks ago I met J. Adams Oaks, author of WHY I FIGHT. He's local, he went to Columbia, and he's super nice so definitely check out his book.

Writer's Block: Writing Boost

Do you ever feel like your writing looses it's life? That the setting fades away and the dialogue falls flat? Here are a few tricks to breathe new life into your writing and create fresh, memorable scenes:

Form Shift: This is an exercise I learned in college. Most books are written in standard prose, but shifting forms is a great way to give your readers something different. Write a few scenes as letters, as lists, as a how-to. If you're writing crime fiction, try writing a police report or newspaper piece. Write a portion of your romance novel in the form of a love letter. Shifting to a different form will give you the freedom to try something different and tell the story in a new way.

Dialogue Only: This is especially useful if you're trying to move the scene along or nail down a character's voice. For a scene or chapter, write entirely in dialogue, no stage directions or exposition. You may be surprised at how quickly you can move a scene and what you may discover about a character's voice.

Exposition Only: This is the opposite of the previous exercise, where you write no dialogue, only exposition. Use this to explore the setting, maybe sneak in some back story, and overall hone your prose.

Point of View Shift: Often, we start writing in a certain point of view and question our decision later. If you're writing in first person, try shifting to third and vice versa. You may like it better. You can also try writing from a different character's point of view. It's always informative to see the story from another character's perspective.

These are all exercises and you may not use any of the writing in your final manuscript. But more often then not, you'll produce something that surprises you, something that's new and fresh, something that revives your manuscript.

Top Ten Tuesday

In honor of Pride week...

Top Ten GLBT Authors

ordered alphabetically

1. Dorothy Allison
2. Rita Mae Brown
3. Augusten Burroughs
4. Michael Cunningham
5. Leslie Feinberg
6. J. Adams Oaks
7. Robert Rodi
8. Dave Sedaris
9. Michelle Tea
10. Jeanette Winterson

Must-See Monday - Pride Edition

It's Pride this week, so there are plenty of GLBT events to attend. So before you hit the parade, check out a few of these queer literary happenings:

Stop by Gerber Hart library (1127 W. Granville) tonight at 7:00pm to discuss STONEWALL by Martin Duberman.

Check out the Solo Performance series June 22, 23, and 24 at 7:30pm at the Straw Dog Theater Company (3829 N. Broadway). Performances by local GLBTQ writers, including Cookie Crumbles, Deb Lewis, and Byron Flitsch, sponsored by the New Town Writers.

The annual Pride Reading and Open Mike will be held at Women and Children First (5233 N. Clark) on Tuesday, June 23 at 7:00pm. Hear local queer authors, including Robert Rodi and Jennifer Harris.

Head back to Women and Children First on Thursday, June 25 at 7:00pm for the GLBTQ Double Header with readings by E. Patrick Johnson and Larry La-Fountain Strokes.

For a non-pride related event, Janet Evanovich signs copies of her latest Stephanie Plum novel, FINGER LICKIN' FIFTEEN at the Magnificent Mile Borders (830 N. Michigan) on Friday, June 26th at 6:00pm.

Also, for a must-hear event, tune in to Blog Talk Radio's Top Shelf on Tuesday, June 23 at 4:30pm EST for interviews with Jamie Freveletti and Lawrence Block. Lawrence's new memoir, STEP BY STEP, about his experiences race walking, very different than the other 60 books he's published. Since Jamie is a runner who's married to a race walker, she and Lawrence are a perfect match.

Weekend Reading

Looks like it's finally going to be a warm, sunny weekend here in Chicago. So, in honor of the rain's disappearance, here are a few good beach reads to check out while you soak up the sun:

WELCOME TO TEMPTATION and FAKING IT by Jennifer Cruise are the perfect beach reads. Both have hilarious, over the top characters, witty and raunchy dialogue, and clever story lines. Don't be embarrassed by the pink and pastel yellow covers, ten pages in you'll forget all about them.

For a different kind of humor, try ME TALK PRETTY ONE DAY by Dave Sedaris. This autobiographical series of vignettes and short stories had me laughing out loud, especially the section about his experience in art school.

If you'd rather catch some action while you catch some rays, pick up GONE FOR GOOD or TELL NO ONE by Harlan Coben. He does a brilliant job of putting ordinary people in extraordinary circumstances and is a master at suspense.

Short story collections are perfect when you're reading time is limited. Check out CHICAGO BLUES, THESE GUNS FOR HIRE, and EXPLETIVE DELETED, all published by the talented folks at Bleakhouse Books.

Planning on taking your Kindle to the beach? Want more recommendations? Good news! Crimespree Magazine is now available on Kindle. Check it out!

Writer's Block: Social Networking for You

It seems these days, everyone has a Twitter, Facebook, and MySpace account. Most are on LinkedIn, writers are on Goodreads and Shelfari, and crime writers are on Crimespace. With all of the buzz surrounding social networking sites, it's easy to get wrapped up in the trend. But the benefits of these websites varies depending on who you are. Your goals will determine which sites are best for you.

You Are: An unpublished, aspiring novelist
You Need: None of the above
Finishing your book and getting published is your #1 goal. These social networking sites will only serve as a distraction. An agent is not going to notice you because you follow them on Twitter and no editor will accept submissions via Facebook. Spend your energy finishing your book, querying agents, and getting your book published.

You Are: A freelance writer
You Need: LinkedIn and Twitter
As a career freelancer, two things are imperative: knowledge and contacts. Following pertinent Twitterers such as the New York Times, Wall Street Journal, or even President Obama, will keep you up to date on what is going on in the world. LinkedIn helps you make contacts in the industry, includes job postings, and allows you to showcase your body of work.

You Are: A blogger
You Need: Twitter, Facebook and Myspace
Depending on the type of blog, you could hit hundreds of social networking sites, but these three are the most important. If you're goal is to drive people to your website, the more links out there, the better. In order for people to find your blog, they have to find you, and these three sites will help them do that. In addition to mentioning your blog in your profile, link you your latest blog entries on your Twitter and Facebook updates.

You Are: A published novelist
You Need: All of the above
Okay, you don't really need all of the above, but the more places mentioning your book, the better. It only takes a few minutes to set up GoodReads or Crimespace, and once it's up, it's not so important to maintain. Twitter and Facebook are higher maintenance: they require constant updating. The others are more for search engine purposes; the more your book is mentioned the more it will pop up. I've updated my Crimespace page once in two years, but it still pops up if you type my name into Google. If you're time is limited, stick with either Facebook or Twitter.

Though these sites are all the rage, not everyone needs them. Figure out your goals and evaluate what these sites are doing to accomplish those goals. These are social networking tools, but if you're using them for your career, the emphasis should be on "networking" not "social".

Top Ten Tuesday

Top Ten Websites for Book Reviews and Fiction News

1. Book Slut
2. Confessions of an Idiosyncratic Mind
3. Crimespree Magazine
4. Crime Fiction Dossier
5. January Magazine
6. Kirkus Reviews
7. Publisher's Weekly
8. The Rap Sheet
9. Shots Magazine
10. Stop You're Killing Me

Must-See Monday

The weekend may be over, but the literary fun has only begun! Check out these must-sees:

Twilight Tales goes gay for pride month Monday, June 15th at 7:30pm. The reading series has temporarily relocated to the Bourgeois Pig (738 W. Fullerton)

The Book Cellar hosts local author night on Wednesday, June 17th at 7:00pm. Billy Lombardo, author of HOW TO HOLD A WOMAN, is a very talented writer and definitely worth hearing.

If you're in the burbs, Jamie Freveletti will be signing copies of RUNNING FROM THE DEVIL at the Warren Newport Public Library in Gurnee Saturday, June 20th 2:00-3:30pm.

Check out the monthly literary and variety showcase, Sappho's Salon, at Women and Children First on Saturday, June 20th at 7:30pm. Tonight is their anniversary performance and the $10 includes food and wine.

I just learned that one of my favorite restaurants, Uncommon Ground, has a bi-monthly open mike called Story Club, so stop by the Wrigleyville Location on Sunday, June 21. The show features 8-10 minute readings, oral storytelling, improv and stand-up comedy. Sign up begins at 8:00pm, show starts at 8:30pm.

Weekend Reading (and viewing)

The cold and the wind continue here in Chicago, perfect weather for renting movies. So here are a few books to check out before viewing their film counterparts:

One of my favorite books is Mystic River by Dennis Lehane and Clint Eastwood did a great job adapting the book for screen. Both are beautifully told and portray haunted, gripping characters.

For more great characters, check out Rules of Attraction by Bret Easton Ellis. In this case, I actually enjoyed the film more than the book, but both are told in very interesting ways.

Another great book/film is Jarhead by Anthony Swofford, a memoir about one Marine's experience in the gulf war. The film is a bit different than the book, but both are wonderfully told.

Lastly, I have to mention both Chuck Palahniuk books that have been made into films: Fight Club and Choke. Both books are great, I liked Choke the book a little better, but Fight Club is by far, the better adaptation.

Writer's Block: The Memorable Protagonist

It is difficult to love a book without loving the character. I'd go out on a limb to say it's impossible. When we fall in love with stories, we fall in love with the characters. If you don't care about the person, you won't care what happens to them.

So as writers, how do we create protagonists that readers care about? Here are a few suggestions:

Multi-Faceted. One of my biggest pet peeves is when the protagonist is a cliche, cardboard cutout: the tired/alcoholic cop, the sociopath with a traumatic upbringing, etc. Readers like characters with more than one dimension, especially when that dimension is one that you wouldn't expect: A killer who's very religious and goes to confession after every murder or a cop who dreams of becoming a folk singer and plays at cafes and local open mikes. Readers want characters who are more than just their job title.

Baggage. There's nothing I love more than a protagonist with a past. We all are who we are and are doing what we're doing because of past experiences. Let your character carry some baggage and show readers how it affects their actions in the story.

Goals. All of the characters in your book should have goals, but your protagonist's are the most important. Clearly illustrate what their goals, don't let them achieve them too easily, and make them driven and passionate about reaching those goals.

Conflict. A character without problems is a character without a story. A book cannot simply illustrate a character on a journey to achieve their goals. There must be conflict, problems, obstacles.

Flawed. Perfect characters are boring and not believable. Characters with weaknesses and flaws are more interesting and realistic. Giving your character a weakness will not only make them more believable and sympathetic, the weakness will also serve as an obstacle to overcome.

What should you avoid?

Cliche. Both in dialogue and the characters themselves.

Gimmicks. Sometimes they're funny, but more often then not, they're cheesy. Unless you're Monk or Elmore Leonard.

Forcing a protagonist. Finding your storyteller should be organic; you shouldn't force the story on a character just because their convenient. Before you begin to write, brainstorm and look closely to find the true storyteller in your book.

Top Ten Tuesday

This is just my opinion, one I've formed from personal experiences. Again, the list is in alphabetical order, not ranked. Disagree? Feel free to comment!

Top Ten Places to Meet Other Writers in Chicago

1. 624 S. Michigan Ave. (Columbia College)

2. Billy Goat Tavern in Streeterville

3. Bourgeois Pig in Lincoln Park

4. The Coffee Studio in Andersonville

5. Danny's Tavern in Bucktown

6. The Hideout in Wicker Park

7. Hopleaf in Andersonville

8. Sheffield's in Lakeview

9. Uptown Writer's Space in Uptown

10. Wilde in Lakeview

Must-See Monday

This is a light week for all things literary, but here are a few events you'll want to check out:

Tuesday, June 9th at 7:30 PM check out Quickies at the Innertown Pub (1935 W. Thomas). This reading series features short stories of 5 minutes or less. The rowdy crowd will cheer, whistle, boo and heckle, which can be just as entertaining as the readings themselves.

If you care to venture out to the burbs, Laura Caldwell will be discussing and signing copies of her latest book, RED HOT LIES at the Wacounda Public Library on Thursday, June 11th at 7:30pm. Laura is a great writer with a wonderful personality and she's definitely worth the drive.

Another suburban event worth checking out is writing duo Michael Stanley. They will be discussing and signing copies of their latest book, THE SECOND DEATH OF GOOD LUCK TINUBU on Friday, June 12th at 7:00pm at Centuries and Sleuths (7419 W. Madison) in Forest Park. Stanley is the author of the Dective Kubu series set in Botswana.

Weekend Reading - Printer's Row edition

In honor of Printer's Row, I'm recommending authors who will be at the book fair this weekend. Be sure to attend their panels or stop by their booths to get signed copies!

RED HOT LIES by Laura Caldwell released this week. Laura is a Chicago author whose books are a good mix of thriller and chick-lit. This book is the first installment of a summer trilogy; the subsequent books will be released in July and August.

Also in attendance will be Chicago authors Marcus Sakey and Sean Chercover. These two aren't just great writer's, they're a lot of fun too. Don't just buy their books (GOOD PEOPLE and TRIGGER CITY), take them out for a beer too!

Tickets to Elmore Leonard, one of my favorite authors, are already sold out, but that doesn't mean you won't be able to get a book signed. If you haven't read him, I'd recommend starting with GET SHORTY and BE COOL. I think BE COOL is the better book, but you can't appreciate it without reading GET SHORTY first. His latest book, ROAD DOGS, is supposed to be great, but I haven't gotten a chance to pick it up yet.

Writer's Block: Konrath's e-book experiment

Though I've already written about my take on the Kindle and e-books, author J.A. Konrath has had some interesting posts on the subject the last couple of weeks. So today, instead of giving my opinion, I'm pointing you to someone else's:

E-Books Part 1
E-Books Part 2

New Top Ten Tuesdays

Thought I'd try something new for a few weeks. Every Tuesday I'll put out my top ten list of various themes. The listings will be in alphabetical order, not rank, and if you feel I've missed something, feel free to comment!

Top Ten Chicagoland Independent Bookstores

1. 57th Street Books in Hyde Park
2. Barbara's Bookstore UIC location
3. Book Cellar in Lincoln Square
4. Book Stall in Winnetka
5. Centuries and Slueths in Forest Park
6. Myopic Bookstore in Wicker Park
7. Quimby's in Bucktown
8. Sandmeyers Bookstore in the South Loop
9. Unabridged Bookstore in Lakeview
10. Women and Children First in Andersonville

Must-See Monday

Featured Event (just because I'm the one reading!)

Tuesday, June 2nd at 7:30pm at Big Chicks (5024 N. Sheridan) I'll be reading at Homolatte. Joining me is singer/songwriter Samantha Cathcart. It will be a great night of music and prose, a definite must-see.

Authors Jamie Freveletti, Billy Lombardo, and poet Robert McDonald read at RUI: Reading Under the Influence Wednesday, June 3rd 7-10pm at Sheffields (3258 N. Sheffield). If you haven't been to this unique and lively reading series, it's definitely worth checking out. Answer the trivia correctly, you'll come out with a free drink and a free book!

National Book Award nominee Jean Thompson launches a new short story collection, DO NOT DENY ME, MY BROTHER, Friday, June 5th at 7:30pm at Book Cellar (4736 N. Lincoln). Authors J. Adams Oaks and Lindsay Hunter will be joining him and the event is sponsored by Jonathan Messinger of Featherproof Books.

June 6th and June 7th, make sure to check out the Printer's Row Bookfair. There are too many events to post, so click here to check out the full schedule. Some authors of note include Marcus Sakey, Sean Chercover, Jamie Freveletti, Laura Caldwell, Tasha Alexander, Andrew Grant, Dave Eggers, Elmore Leonard, and others.