Friday, August 21, 2009
Weekend Reading
Also new to the shelves is VANISHED by Joe Finder. This is the first in the Nick Heller series, a high powered investigator with Special Forces training. All of Finder's novels are gripping page-turners, so VANISHED is a perfect weekend read.
If you want something light and fun, I recently read Sherrill Bodine's TALK OF THE TOWN. The novel features gossip columnist Rebecca Covington, a fabulous fashionista who knows everyone worth knowing in Chicago. The tone is light, fun, over the top, and Chicagoans should get an extra kick out of it.
Wednesday, August 19, 2009
Wednesday Writer's Block: Channelling the Muse
A Few Tips for Channelling The Muse:
Location. Write in a place that's free of major distractions. Background noise at a coffee shop or park can be beneficial, but you don't want the phone ringing off the hook or the dog begging for a walk.
Timing.Writing at the same time every day will train your brain to be creative on a regular schedule. Most writers don't have all day to reach their word count; they squeeze in a few hours of writing before work or after the kids have gone to bed. Writing on a regular schedule will cut down on the brainstorming or "warm up" time and will prevent hours spent staring blankly at a computer screen.
Think. This one seems pretty obvious, but it's easy to forget your story throughout the day. Most of the writing process is brainstorming, and what's great about brainstorming is you don't have to be in front of a computer to do it. While you're doing the laundry, commuting, sitting in a waiting room, think about your story and it's characters. Try to solve some of the plot problems or develop the characters in your head (it also helps to carry a small notebook). The more your story is in your head and the more problems you work out prior to sitting down at the computer, the easier the writing will come.
Read. I know a lot of writers who cannot read during the writing process, but for most of them, that only applies to fiction. Reading regularly will keep you accustomed to storytelling. If you are a crime writer, you may not be able to read crime fiction mid-manuscript, but you can read newspapers, magazines, and non-fiction books. For me, it helps to read in the genre I'm writing. It often acts as inspiration, but mostly I read to see how other writers handled similar situations. We'll often hit obstacles such as point of view shifts or backstory; it helps to see how other writers conquered the hurdles.
Some writers have their favorite chair or a lucky pen, but for me, these practical tips are enough to keep the creative juices flowing. What about you? How do you channel your muse?
Wednesday, August 12, 2009
The Chicago Contingent On Vacation
Confessions of an Idiosyncratic Mind
The Rap Sheet
Jason Pinter
Murderati
The Outfit Collective
For must-sees, try:
Metromix
Time Out
Flavor Pill
We'll be back to our regularly scheduled programming with Writer's Block Wednesday.
Writer's Block: Q&A with Linwood Barclay
Dana Kaye: Speak a little about your writing process. After writing eight novels, how has your writing process changed over the years?
Linwood Barclay:Well, for one thing, I don't print them out anymore. I used to print out each chapter as I went, but now I just write the whole thing as one file without ever hitting the "print" button. But I suspect that's not what you meant by the question. I don't think my process has changed all that much, but I hope I'm getting better at it with each book. I'm aware of the things I don't do as well as I'd like, and try to improve each time. I'm also learning to listen to that voice in the back of my head that warns me when something is not going well. I've regretted it in the past when I've not listened.
DK: What draws you to writing ordinary people thrust into extraordinary circumstances?
LB:I'm an ordinary person, so I write about the kind of person I know best. I find it easier to get inside the head of a regular guy than some brilliant detective or spy or ex-military loner. Not that I don't love books about those kinds of heroes, but I don't typically identify with the situations a Jason Bourne might find himself in. But a father whose daughter is missing, I think that's a character, and a situation, a great many readers can imagine themselves in.
DK: All of your novels are packed with suspense. What tips and tricks can you offer about maintaining tension on every page?
LB: I like chapters to end with a revelation, or a turning point. That bit of white space between chapters creates a "dramatic pause" effect for me. And I love performing the thriller equivalent of a magic act. I've got you looking over here, but what really matters is happening over here, up my sleeve. But mainly, I try to write something that keeps me interested. If I'm getting bored, then the reader will get bored.
DK: The world of publishing has drastically changed since the publication of your first book. Kindle sales are rising, newspapers are shutting down, etc. How are your promotion strategies adapting to the changing market?
LB: I'm glad I'm not the one who has to devise the promotional and marketing strategies. But FEAR THE WORST is the first book where I have gone on not only real tours -- Hong Kong, Australia, New Zealand, the U.S. and Canada -- but a blog tour. I like the part about not having to pack. The situation with newspapers concerns me deeply, having worked for them right up until last year when I decided to work exclusively on books. And among the many things newspapers have cut back in the space devoted to book reviews. It's more difficult to get books reviewed in the pages of a newspaper, but the blogs and other sites are trying to fill the gap.
DK: What piece of advice can you offer aspiring novelists?
LB: Two of three things. The first, of course, is to write. Even if you are the only one who ever reads the material. And persevere. I had written a couple of novels by the time I was 21, and thankfully, they were not published. (Not that there was even the slightest risk of that happening.) My first book -- not a novel -- wasn't published until I was 41. And my first novel came out when I was 49. So, you have to stick with it. The other advice: Read. You can learn so much by reading. All sorts of things. Stephen King's book On Writing is as good as anything I've ever read when it comes to advice in this area.
Monday, August 10, 2009
Must-See Monday
Stop by Quimby's (1854 W. North Ave.) on Thursday, August 13th at 7:00pm to celebrate the launch of THE 2ND HAND's 32nd issue. Includes readings by Patrick Somerville and CT Ballentine.
Also on Thursday, check out "Prose, Poetry and Pints" at the Wild Pug (4810 N. Broadway). Readings by novelist Stephanie Kuehnert and poet Robert McDonald as well as an open mike.
For you out of towners, Marcus Sakey is doing a Midwest regional tour this week and maybe coming to a bookstore near you:
Joseph Beth Booksellers in Cincinnati, OH on Wednesday, August 12th at 7:00pm
Mystery One Bookshop in Milwaukee, WI on Thursday, August 13th at 7:00pm
Aunt Agatha's Bookstore in Ann Arbor, MI on Saturday, August 15th at 1:30pm
Friday, August 07, 2009
Weekend Reading
The Crimespree Awards were announced Monday. Award the winners by picking up their books:
Favorite Book of 2008: TRIGGER CITY by Sean Chercover
Best in an ongoing series: CHASING DARKNESS by Robert Crais
Favorite comic books writer: Brian Azzarello (Author of THE JOKER and the 1000 Bullets series)
Favorite original paperback: MONEY SHOT by Christa Faust
Another winner is Once Upon A Crime in Minneapolis, voted favorite mystery bookstore. If you're in the area, be sure to stop by.
And finally, in case my last two posts weren't clear, pick up a copy of THE AMATEURS by Marcus Sakey. Last time I'm going to say it, I promise.
Wednesday, August 05, 2009
Writer's Block: Q&A with Marcus Sakey
Me: Talk a little about your writing process. How has it changed from book #1 to #4?
Marcus: More than I thought it would. That old axiom about every book being different? It's spot-on true. I've become a more organized writer with each book, which helps when the fear sets in. I outline the overall shape, and where it makes sense, I apply a three-act structure. There's less wing-it-and-pray and more take-this-hang-glider-off-the-cliff-and-still-pray.
This is a strange and scary way to make a living. You need to strike a balance between planning and inspiration. Lean too far either direction and you're likely to end up with something that's either stale or scattered. I guess the biggest change is that having done this a couple of times, I know to expect certain traps. I know that around page 200 I'm going to hate the whole damn project. I know that nearing the end, I'm going to hit problems that seem unresolvable. But I also know that (fingers crossed) if I just keep banging my head against them, eventually I'll break through.
Me: What research do you do for your novels?
Marcus: I tend to research all the fun stuff. I've ridden with gang cops, gone shooting with Special Forces, toured the morgue, learned how to make chemical weapons, practiced picking a deadbolt. Generally, if research involves a fair chance of hurting myself, I'm in.
Me: THE AMATEURS is about 4 friends; are these characters based on people you know?
Marcus: The characters aren't, but part of the setup is. When I lived in Atlanta I had a group of die-hard friends that got together every Wednesday night for drinks and conversation and laughter. It was a very intense, very intimate friendship, and that provided part of the idea of the novel. That said, there was less sex and murder in the Wednesday Night Crew than in the Thursday Night Crew. Praise be to Allah.
Me: How did the idea for THE AMATEURS come about?
Marcus: My books don't get traction in my head until an issue seizes me. In this case, there were two: first, I wanted to write a novel about how best friends could become the most effective enemies. And second, I wanted to explore the question of whether it's better to save the lives of a lot of people you don't know, or a handful you do. Those kinds of questions are what really fuel my books, or at least fuel me in writing them. I think that's why I write crime fiction: I like both playing with ideas and writing about pistol whipping.
Me: What advice would you give to an aspiring novelist or debut author?
Marcus: It's always the same. Ass in chair, fingers on keyboard. That's how it works.
Want to hear more? Stop by Marcus's launch party tomorrow, 7:00-10:00pm at Sheffields (3258 N. Sheffield). Free beer and books available for sale.
Monday, August 03, 2009
Must-See Monday
The Bookslut Reading Series returns to Hopleaf (5148 N. Clark) on Tuesday, August 4th at 7:30pm. This weeks guests are journalist Katherine Joyce and Chicago Tribune columnist Mark Caro.
Head over to Sheffield's (3258 N. Sheffield) on Wednesday, August 5th at 7:00pm for RUI: Reading Under the Influence. This month's featured reader is Chicago author Marcus Sakey. He's both a talented writer and talented drinker, so it's sure to be a good time. He joins Dennis Frymire, Tim Weaver, and RUI's Amy Guth.
If you like what you hear on Wendesday, return to Sheffield's Thursday 7:00-10:00pm for the release of THE AMATEURS, Marcus Sakey's fourth novel. The drinks are free and the books are for sale.
Friday, July 31, 2009
Weekend Reading
If you're heading on vacation, pick up a copy of BOCA KNIGHTS by Steven M. Forman. It's about a retired cop who moves down to Boca Raton. Forman does a great job describing the over the top characters and all the silly politics that go on in the city of retirement communities. If you happen to be Jewish, you'll enjoy the book even more as parts of it are reminiscent of PORTNOY'S COMPLAINT.
Finally, Laura Caldwell's last installment of the Izzy McNeil trilogy, RED WHITE AND DEAD, releases this weekend. Be sure to complete your collection!
Wednesday, July 29, 2009
Writer's Block: Author Marketability
Marketability Factor: Conversation Skills
If you can't talk about your book, people aren't going to want to buy it. Talking and relating to people is half the process of selling a book. Most of the books I purchase are written by authors that I've met and spoken with. If I didn't enjoy their conversation, I assume I won't enjoy their book. If you have a tendency to be awkward in social situations, practice with someone you feel comfortable talking to.
Marketability Factor: Platform
We can't all be lawyers or bomb experts or former CIA operatives. Most of us are everyday people who happen to write books. But having a platform doubles your marketability as an author. Go through your book, go through your life, what makes it special? Do you have any hobbies that relate to the book? Is there something in your heritage or culture that would appeal to readers? As a publicist, I do this for authors on a regular basis. There's always something.
Marketability Factor: Contacts
The more people you know, the more people you know who will buy the book. Knowing the right people can lead to media exposure, awards, and topping bestseller lists. If you've been attending writing conferences or stockpiling Facebook friends and twitter followers, you probably have more contacts than you think. Remember, when you go out on tour, most of the audience will be people YOU bring. You can't count on the bookstore to draw a crowd. But if you pull from your contacts and have a great turnout, the bookstore is sure to have you back.
Marketability Factor: Charm
It makes sense that the more charming you are, the more books you'll sell. Authors like Barry Eisler, Marcus Sakey, or Laura Caldwell could probably sell me an essay from 3rd grade for twenty-five bucks. This sort of ties in to conversational skills, but charm is something more. It's about knowing how to relate to people. Not all of us are born with this gift. It may take practice. Attend the panels at writer's conferences and observe the authors that get a lot of attention. They're funny, are able to speak to an audience and relate to other people. Keep this in mind when your talking to a potential reader, agent, or reviewer.
Marketability Factor: Drive
Agents and editors love a writer with drive. They know their client will produce good work in a timely manner and do everything they can to get their career off the ground. Readers will respond to dedicated authors, especially those who work hard to reward their fans with contests and signings. No one likes a lazy bum. Charm and charisma can be difficult to attain. Working hard only requires putting in the effort.
Tuesday, July 28, 2009
Retiring Top Ten Tuesdays
Stop by tomorrow for a brand new Writer's Block Wednesday!
Monday, July 27, 2009
Must-See Monday
The 2nd Story reading series returns, this time to Red Kiva (1108 W. Randolph) also on Wednesday, July 29th at 7:30pm. Writers/preformers Rosie Forrest, Larry Kerns, and Julie Ganey read original work set to live music.
The fifth annual Printer's Ball kicks off Friday, July 31 at 5pm. Head down to 1104 S. Wabash and check out the showcase from the Columbia College Book and Paper Department, load up on free books and magazines from various small presses, and participate in paper making and book binding demonstrations.
Friday, July 24, 2009
Weekend Reading
If you enjoy short stories, pick up a copy of UNCAGE ME, the latest anthology edited by Jennifer Jordan. With an introduction by John Connolly and stories by Christa Faust, Victor Gischler, Declan Burke, Gregg Hurwitz and others, UNCAGE ME is full of talented storytelling.
In the mood for something literary? I WANNA BE YOUR JOEY RAMONE author Stephanie Kuehnert's second novel, BALLADS OF SUBURBIA, releases today. She writes wonderful characters, often the weird kids at school who are haunted by their family lives. She's not afraid to write the hard scenes, which leads to brutally honest writing.
Wednesday, July 22, 2009
Belated Writer's Block
Blair Hurley suggest reasons your story isn't getting published
JT Ellison talks about her idea box over at Murderati
Jason Pinter suggests conferences should be free for those under 18
Sharon Wheeler discusses the Big Brother effect of Amazon
Enjoy!
Tuesday, July 21, 2009
Top Ten Tuesday
- Book Cellar in Lincoln Square - they serve wine and you're surrounded by books
- Cafe Ennui in Rogers Park - funky cafe with outdoor cafe serves up inspiration with their beverages
- Coffee Studio in Andersonville - free Wi-Fi and is popular with many Chicago writers
- Harold Washington Library in the Loop - especially convenient if you need to research as you write
- Metropolis in Edgewater - free Wi-Fi and they serve food if you're going to be there a while
- Millennium Park in the Loop - plenty of benches and grassy knolls to sit away from the tourists
- Promontory Point in Hyde Park - peaceful scenery along the lake is perfect to channel your muse
- Red Lion Pub in Lincoln Park - friendly staff and quiet atmosphere when there isn't a Cubs game
- Sheffield's in Lakeview - beautiful outdoor beer garden and a great selection of food/beverages, also quiet when there isn't a Cubs game
- Starbucks at North and Wells - open 24 hours for all you night owls
Monday, July 20, 2009
Must-See Monday
Columbia College professors Ann Hemenway and Eric May read original work at The Poison Pen (1128 W. Armitage) on Wednesday, July 23 at 7:00pm. Both are talented readers and excellent oral storytellers.
Book shelves looking bare? Head over to the Newberry Library Book Fair (60 W. Walton) Thursday, July 24 and Friday, July 25 12:00-8pm and Saturday, July 26 10am-6pm.
Chicago author Stephanie Kuehnert reads from her new novel BALLADS OF SUBURBIA at Women and Children First (5233 N. Clark) on Thursday, July 24 at 7:30pm. She's a fellow Columbia College grad and the author of the critically acclaimed I WANNA BE YOUR JOEY RAMONE.
Friday, July 17, 2009
Weekend Reading - Hard Case Crime
HOUSE DICK by E. Howard Hunt. Hunt used to be a spy in the CIA and was the inspiration for the Ethan Hunt character played by Tom Cruise in Mission Impossible. He writes this detective novel with insider knowledge of what goes on in Washington DC.
PASSPORT TO PERIL by Robert B. Parker. This is a cold war novel originally published in 1951 by "the Original" Robert B. Parker. No, it's not the same Parker who penned the Spenser series; this Parker is a little known pulp novelist who spent three years crossing borders without a passport and evading arrest by the Gestapo. He's another author who has the background to give this fictional story authority.
CASINO MOON by Peter Blauner. This too is a reprint, but it's a reprint of a novel which was published only 15 years ago. It's also twice as long as the typical Hard Case Crime novel. But the premise is intriguing: son of an Atlantic City Monster tries to escape the life of crime by creating a comeback for a washed-up boxer (and of course sleeping with the round card girl).
More books can be found on the Hard Case Crime website. I'm also a fan of THE CUTIE, KILLING CASTRO, and MONEY SHOT.
Thursday, July 16, 2009
Bonus Must-See
Indie rock band, 20 Mark Helga, will be playing at the Elbo Room (2871 N. Lincoln) tomorrow night. Show starts at 8:00pm, they go on at 9:00pm. Tickets are available online and at the door. Here are the links:Wednesday, July 15, 2009
Writer's Block: Revision
Get some distance. You cannot finish draft one and immediately go back to the beginning and begin draft two. You're too close. Put the book in a drawer for a few weeks, even a month. If you remember your work too clearly, you won't see what needs to be changed.
Cut, cut, cut. It's been said so many times, it's probably cliche: kill your darlings. Those beautifully written scenes, the ones that aren't really forwarding the overall plot, get rid of them. If it makes you feel better, put the deleted scenes in a file folder, just in case you need them. But you won't.
Add, add, add. Often times we are so roped up in the writing, that we forget to add texture to a scene. Look at the sections that are mostly dialogue or action and add description, internalization, depth. Even action sequences deserve to be slowed down and described; it often makes them more suspenseful.
Play with Structure. The order of chapters is not set in stone, nor is the timeline of your story. Don't be afraid to switch events, switch chapters, or change the major turning points. Sometimes a first draft is more like a 400-page outline. You're working out the structure of your story, and in the end, it may need to be changed.
Get feedback. During the revision is when you really need your critique group or other first readers. It's very easy to get stuck or to not know if something is working. Talk it out with your trusted readers, give them portions of the revision to read. The feedback won't only help you see needed changes, it will give you motivation to keep going.
Feel free to leave your own revision tips. We've all been there and if you're like me, it can be a stressful/frustrating part of the writing process. But in the end, you'll have a better book, which makes all this craziness worth it.
Tuesday, July 14, 2009
Top Ten Tuesday
- Blogging
- Calling in to book clubs
- Electronic newsletters
- Mailing books to independent bookstores and libraries (if UPS comes to pick them up!)
- Posting short stories to sell on Amazon
- Radio interviews
- Sending postcards and giveaways to fans
- Social Networking (Twitter, Facebook, etc.)
- Soliciting book reviews from newspapers, magazines and websites
- Submitting listings to local papers and websites advertising your book signings
Monday, July 13, 2009
Must-See Monday
Voice your opinions at the Women and Children First community forum on Tuesday, July 14th at 7:30. Stop by the bookstore (5233 N. Clark) and let the booksellers know what you hope to see in the store's future.
Laura Caldwell signs copies of RED HOT LIES and RED BLOODED MURDER at the Webster Place Barnes and Noble (1441 W. Webster) on Wednesday, July 15th at 7:30pm. Joining her will be debut novelist and fellow Chicagoan, Henry Perez.
Or, check out The Book Cellar's Local Author Night (4736 N. Lincoln) at 7:00pm on the 15th. This month's featured readers are Robert Rodi and Bryan Gruley. Seems like an unlikely pairing aside from both being talented writers, but it should be a fun night.
Head back to WCF (5233 N. Clark) on Saturday, July 18th at 7:30pm for the Sappho's Salon Anniversary Show. Readings by poetry duo Aquamoon and local author Kathie Bergquist.
Friday, July 10, 2009
Weekend Reading
Check out Theresa Schwegel's LAST KNOWN ADDRESS. She's a Chicago author and writes wonderful, hard boiled police procedurals.
Also out this week is SHADOW OF BETRAYAL by Brett Battles. Brett is another talented writer and this is the third book in the Jonathan Quinn Series. Want to catch up? Check out THE CLEANER and THE DECEIVED.
I haven't had a chance to read it yet, but I can't wait to pick up the first of Karen E. Olson's new series THE MISSING INK. Protagonist Brett Kavanaugh is the owner of an elite tattoo shop in Vegas. With all the story possibilities, I anticipate a long, entertaining series.
Thursday, July 09, 2009
Top Ten Thursday
- Books - both for research and for inspiration
- Booze - how else do you reward yourself after hitting your daily word count?
- Coffee - caffeine and creativity are obviously related
- Computer - not just for writing but for distracting ourselves with YouTube and Facebook
- Hobbies - we all need something to get us away from the computer. H0bbies can also be the source of inspiration
- Libraries - for the books and the resources, but also for the readers there
- Munchies - can't write on an empty stomach!
- Notebooks - especially the ones that fit right in your pocket
- Reassurance - in an industry full of rejection, we often need pep talks
- Workshops or Writing Groups - for the camaraderie and the feedback
Wednesday, July 08, 2009
Writer's Block: Conferences
Conferences are the perfect place to attend informative panels, meet other authors, and network with industry professionals. Some of my most important contacts I made at writer's conferences. While they can be extremely fun and beneficial, it's important to be productive and use discretion. Otherwise, you could end up spending thousands of dollars on registrations, hotels, and flights all over the country.
Consider the following before registering for a writer's conference:
Why? Why do you want to attend? How will you benefit? Bouchercon is a fan-based conference, so it is perfect for novelists promoting a book. Thriller Fest is more industry centered. Authors meet their publishing team and newbie writer's pitch at AgentFest. It's less about book promotion. Something like ALA is the perfect conference for authors because it gives them an opportunity to promote their books to librarians (very important book buyers). Make sure you're attending the right conference for the right reasons.
Cost. If the conference is local, you'll save on travel, hotel and dining expenses. If it's out of town, consider how much money you'll be spending. Is it worth it? You cannot put a price on networking and making connections, but you can choose wisely. If there are two similar conferences with similar attendees, pick the one that you can drive too or the one where you can stay with family rather than splurging for a hotel.
Once you've registered for the conferences, you'll need:
A Plan. Before you attend a conference, you should have a plan of what you want to accomplish. This may be to introduce yourself to a certain agent that you queried recently or to give away three copies of your book to possible fans. It's easy to get swept up in the camaraderie (and by that I mean drinking), and that's okay. Just keep your eye on the ball and know what you are there to accomplish.
Business Cards. People want to know who you are and how to get in contact with you.
An Open Mind. You will meet tons of people at conferences, and you may be surprised by which contacts actually make a difference. You may be dying to talk to the headlining, NYT bestselling author, but don't shrug off a fellow newbie who offers to buy you a drink. Connelly, Coben, and Lehane were all newbie's once. Bet you wish you had a blurb from them...
Networking and mingling are necessary to succeeding in publishing, whether you're meeting fellow writers, promoting your latest novel, or pitching agents. Publishing is a small community and the more people you know, the better. So if you're in New York, stop by ThrillerFest and meet some industry professionals. Or if you're in Chicago, come down to ALA and hang with authors and librarians.
Tuesday, July 07, 2009
Old Friends Start New Publishing House
Learn more about Ben, Alison and Tyrus books here.
Monday, July 06, 2009
Must-See Monday + an NYC bonus
Thursday, July 9th at 7:00pm, head out to Centuries and Sleuths in Forest Park where Rosemary Harris signs copies of her latest novel THE BIG DIRT NAP.
Friday, July 10th at 8:00pm come celebrate the launch of Theresa Schwegel's new book LAST KNOWN ADDRESS. The California Clipper (1002 N. California) hosts.
Stop by the Lincoln Park Zoo (2200 N. Cannon) on Saturday, June 11th between noon and 5:00pm to visit the Digital Bookmobile. Sponsored by the Chicago Public Library, the bookmobile will help guests download audiobooks, music, and more from the library's website.
And for those of you attending Thriller Fest this weekend:
Drop by the HarperCollins book signing at the Mysterious Bookshop (58 Warren St.) on Friday, July 10th 5:30-7:30pm. Authors include James Rollins, Steve Martini, Jamie Freveletti, Sean Chercover, and Hallie Ephron.
And be sure to stop by the bar at the Grand Hyatt New York where agents, authors, and industry professionals will be mixing and mingling. I'll be there, beer in hand, so if you're in NY, swing by and say hello!
Friday, July 03, 2009
July 4th Weekend Reading
RED BLOODED MURDER by Laura Caldwell just released this week and is the second installment in the Izzy McNeil trilogy. If you missed the first one, be sure to pick up RED HOT LIES as well.
WHITE TIGER by Aravind Adiga won the Man Booker Prize last year and was selected for the Indie Bound spring/summer reading group. Though it's not crime fiction, Adiga's writing is beautiful and captivating.
BLUE HEAVEN by C.J. Box is his first standalone thriller. Box is a talented writer who knows how to craft a story. Also check out his Joe Picket series and his most recent novel, BELOW ZERO.
Wednesday, July 01, 2009
Writer's Block: Writing Don'ts
Coincidences. In life, there are plenty of coincidences. You run into an old high school buddy on the street, you decide to drive to work instead of taking the train and your car breaks down, etc. Coincidences don't have a place in novels. Your protagonist cannot happen to find a gun in a dumpster. Your villain's car cannot break down just as the police are on his tail. One or two coincidences in a novel are okay, but you have to earn them. Make it hard for your characters, don't take the easy way out.
Head-Hopping. This is when the point of view shifts from one character to another in the middle of a scene. It's jarring and it pulls readers out of the story. I understand that it's tempting to tell the story from all perspectives, but if you need to shift point of views, insert a section break before you do. But even that sort of feels like a cheat. I'm more impressed with a writer who can sustain a scene and convey another characters emotions or reactions without going into their head.
Stretching Realms of Believability. Yes, fiction is made up, but you want to avoid disbelief. If you create the world of your story with enough authority, readers will follow you anywhere. Too many far fetched twists or plot lines, will increase readers disbelief and possibly turn them off to the story.
Losing Your Characters. This is particularly true for thrillers where the action drives the plot. It's easy to lose sight of your characters, for them to turn into talking heads or for them to fall off the page all together. But even in thrillers, it is the characters that breathe life into the story, and if you forget about them, your story will fall flat.
Being Predictable. When you're trying to figure out where to take your characters next, the first answer is usually the most predictable one. Be creative, avoid cliche, find a solution that readers won't expect. The best part of reading is being taken on a ride, not knowing what twists and turns will come up next. Predicting the end eliminates the joy of the journey.
Feel free to comment your own pet peeves or writing taboos. I'm sure there are things I left out!
Tuesday, June 30, 2009
Top Ten Tuesday
Monday, June 29, 2009
Must-See Monday
Monday, June 29th at 7:30pm Twilight Tales hosts it's monthly reading series at Bourgeois Pig Cafe (738 W. Fullerton).
RUI: Reading Under The Influence welcomes Jonathan Messinger and Patrick Somerville on Wednesday, July 1st at 7:00pm. Sheffield's (3258 N. Sheffield) hosts, providing great beer to compliment the reading and trivia games.
The last reading series worth checking out this week is at Uncommon Ground (3800 N. Clark). Story Club features improv, readings, oral storytellings and sketch comedy. Friday, July 5th at 8:30pm.
Friday, June 26, 2009
Weekend Reading
I just finished James Rollins's latest, THE DOOMSDAY KEY. It's a great mixture of thriller and historical. Very reminiscent of DA VINCI CODE...except with character development...and accurate research...
A few weeks ago I met J. Adams Oaks, author of WHY I FIGHT. He's local, he went to Columbia, and he's super nice so definitely check out his book.
Wednesday, June 24, 2009
Writer's Block: Writing Boost
Form Shift: This is an exercise I learned in college. Most books are written in standard prose, but shifting forms is a great way to give your readers something different. Write a few scenes as letters, as lists, as a how-to. If you're writing crime fiction, try writing a police report or newspaper piece. Write a portion of your romance novel in the form of a love letter. Shifting to a different form will give you the freedom to try something different and tell the story in a new way.
Dialogue Only: This is especially useful if you're trying to move the scene along or nail down a character's voice. For a scene or chapter, write entirely in dialogue, no stage directions or exposition. You may be surprised at how quickly you can move a scene and what you may discover about a character's voice.
Exposition Only: This is the opposite of the previous exercise, where you write no dialogue, only exposition. Use this to explore the setting, maybe sneak in some back story, and overall hone your prose.
Point of View Shift: Often, we start writing in a certain point of view and question our decision later. If you're writing in first person, try shifting to third and vice versa. You may like it better. You can also try writing from a different character's point of view. It's always informative to see the story from another character's perspective.
These are all exercises and you may not use any of the writing in your final manuscript. But more often then not, you'll produce something that surprises you, something that's new and fresh, something that revives your manuscript.
Tuesday, June 23, 2009
Monday, June 22, 2009
Must-See Monday - Pride Edition
Stop by Gerber Hart library (1127 W. Granville) tonight at 7:00pm to discuss STONEWALL by Martin Duberman.
Check out the Solo Performance series June 22, 23, and 24 at 7:30pm at the Straw Dog Theater Company (3829 N. Broadway). Performances by local GLBTQ writers, including Cookie Crumbles, Deb Lewis, and Byron Flitsch, sponsored by the New Town Writers.
The annual Pride Reading and Open Mike will be held at Women and Children First (5233 N. Clark) on Tuesday, June 23 at 7:00pm. Hear local queer authors, including Robert Rodi and Jennifer Harris.
Head back to Women and Children First on Thursday, June 25 at 7:00pm for the GLBTQ Double Header with readings by E. Patrick Johnson and Larry La-Fountain Strokes.
For a non-pride related event, Janet Evanovich signs copies of her latest Stephanie Plum novel, FINGER LICKIN' FIFTEEN at the Magnificent Mile Borders (830 N. Michigan) on Friday, June 26th at 6:00pm.
Also, for a must-hear event, tune in to Blog Talk Radio's Top Shelf on Tuesday, June 23 at 4:30pm EST for interviews with Jamie Freveletti and Lawrence Block. Lawrence's new memoir, STEP BY STEP, about his experiences race walking, very different than the other 60 books he's published. Since Jamie is a runner who's married to a race walker, she and Lawrence are a perfect match.
Friday, June 19, 2009
Weekend Reading
WELCOME TO TEMPTATION and FAKING IT by Jennifer Cruise are the perfect beach reads. Both have hilarious, over the top characters, witty and raunchy dialogue, and clever story lines. Don't be embarrassed by the pink and pastel yellow covers, ten pages in you'll forget all about them.
For a different kind of humor, try ME TALK PRETTY ONE DAY by Dave Sedaris. This autobiographical series of vignettes and short stories had me laughing out loud, especially the section about his experience in art school.
If you'd rather catch some action while you catch some rays, pick up GONE FOR GOOD or TELL NO ONE by Harlan Coben. He does a brilliant job of putting ordinary people in extraordinary circumstances and is a master at suspense.
Short story collections are perfect when you're reading time is limited. Check out CHICAGO BLUES, THESE GUNS FOR HIRE, and EXPLETIVE DELETED, all published by the talented folks at Bleakhouse Books.
Planning on taking your Kindle to the beach? Want more recommendations? Good news! Crimespree Magazine is now available on Kindle. Check it out!
Wednesday, June 17, 2009
Writer's Block: Social Networking for You
You Are: An unpublished, aspiring novelist
You Need: None of the above
Finishing your book and getting published is your #1 goal. These social networking sites will only serve as a distraction. An agent is not going to notice you because you follow them on Twitter and no editor will accept submissions via Facebook. Spend your energy finishing your book, querying agents, and getting your book published.
You Are: A freelance writer
You Need: LinkedIn and Twitter
As a career freelancer, two things are imperative: knowledge and contacts. Following pertinent Twitterers such as the New York Times, Wall Street Journal, or even President Obama, will keep you up to date on what is going on in the world. LinkedIn helps you make contacts in the industry, includes job postings, and allows you to showcase your body of work.
You Are: A blogger
You Need: Twitter, Facebook and Myspace
Depending on the type of blog, you could hit hundreds of social networking sites, but these three are the most important. If you're goal is to drive people to your website, the more links out there, the better. In order for people to find your blog, they have to find you, and these three sites will help them do that. In addition to mentioning your blog in your profile, link you your latest blog entries on your Twitter and Facebook updates.
You Are: A published novelist
You Need: All of the above
Okay, you don't really need all of the above, but the more places mentioning your book, the better. It only takes a few minutes to set up GoodReads or Crimespace, and once it's up, it's not so important to maintain. Twitter and Facebook are higher maintenance: they require constant updating. The others are more for search engine purposes; the more your book is mentioned the more it will pop up. I've updated my Crimespace page once in two years, but it still pops up if you type my name into Google. If you're time is limited, stick with either Facebook or Twitter.
Though these sites are all the rage, not everyone needs them. Figure out your goals and evaluate what these sites are doing to accomplish those goals. These are social networking tools, but if you're using them for your career, the emphasis should be on "networking" not "social".
Tuesday, June 16, 2009
Top Ten Tuesday
Monday, June 15, 2009
Must-See Monday
Twilight Tales goes gay for pride month Monday, June 15th at 7:30pm. The reading series has temporarily relocated to the Bourgeois Pig (738 W. Fullerton)
The Book Cellar hosts local author night on Wednesday, June 17th at 7:00pm. Billy Lombardo, author of HOW TO HOLD A WOMAN, is a very talented writer and definitely worth hearing.
If you're in the burbs, Jamie Freveletti will be signing copies of RUNNING FROM THE DEVIL at the Warren Newport Public Library in Gurnee Saturday, June 20th 2:00-3:30pm.
Check out the monthly literary and variety showcase, Sappho's Salon, at Women and Children First on Saturday, June 20th at 7:30pm. Tonight is their anniversary performance and the $10 includes food and wine.
I just learned that one of my favorite restaurants, Uncommon Ground, has a bi-monthly open mike called Story Club, so stop by the Wrigleyville Location on Sunday, June 21. The show features 8-10 minute readings, oral storytelling, improv and stand-up comedy. Sign up begins at 8:00pm, show starts at 8:30pm.
Friday, June 12, 2009
Weekend Reading (and viewing)
One of my favorite books is Mystic River by Dennis Lehane and Clint Eastwood did a great job adapting the book for screen. Both are beautifully told and portray haunted, gripping characters.
For more great characters, check out Rules of Attraction by Bret Easton Ellis. In this case, I actually enjoyed the film more than the book, but both are told in very interesting ways.
Another great book/film is Jarhead by Anthony Swofford, a memoir about one Marine's experience in the gulf war. The film is a bit different than the book, but both are wonderfully told.
Lastly, I have to mention both Chuck Palahniuk books that have been made into films: Fight Club and Choke. Both books are great, I liked Choke the book a little better, but Fight Club is by far, the better adaptation.
Wednesday, June 10, 2009
Writer's Block: The Memorable Protagonist
So as writers, how do we create protagonists that readers care about? Here are a few suggestions:
Multi-Faceted. One of my biggest pet peeves is when the protagonist is a cliche, cardboard cutout: the tired/alcoholic cop, the sociopath with a traumatic upbringing, etc. Readers like characters with more than one dimension, especially when that dimension is one that you wouldn't expect: A killer who's very religious and goes to confession after every murder or a cop who dreams of becoming a folk singer and plays at cafes and local open mikes. Readers want characters who are more than just their job title.
Baggage. There's nothing I love more than a protagonist with a past. We all are who we are and are doing what we're doing because of past experiences. Let your character carry some baggage and show readers how it affects their actions in the story.
Goals. All of the characters in your book should have goals, but your protagonist's are the most important. Clearly illustrate what their goals, don't let them achieve them too easily, and make them driven and passionate about reaching those goals.
Conflict. A character without problems is a character without a story. A book cannot simply illustrate a character on a journey to achieve their goals. There must be conflict, problems, obstacles.
Flawed. Perfect characters are boring and not believable. Characters with weaknesses and flaws are more interesting and realistic. Giving your character a weakness will not only make them more believable and sympathetic, the weakness will also serve as an obstacle to overcome.
What should you avoid?
Cliche. Both in dialogue and the characters themselves.
Gimmicks. Sometimes they're funny, but more often then not, they're cheesy. Unless you're Monk or Elmore Leonard.
Forcing a protagonist. Finding your storyteller should be organic; you shouldn't force the story on a character just because their convenient. Before you begin to write, brainstorm and look closely to find the true storyteller in your book.
Tuesday, June 09, 2009
Top Ten Tuesday
Monday, June 08, 2009
Must-See Monday
Tuesday, June 9th at 7:30 PM check out Quickies at the Innertown Pub (1935 W. Thomas). This reading series features short stories of 5 minutes or less. The rowdy crowd will cheer, whistle, boo and heckle, which can be just as entertaining as the readings themselves.
If you care to venture out to the burbs, Laura Caldwell will be discussing and signing copies of her latest book, RED HOT LIES at the Wacounda Public Library on Thursday, June 11th at 7:30pm. Laura is a great writer with a wonderful personality and she's definitely worth the drive.
Another suburban event worth checking out is writing duo Michael Stanley. They will be discussing and signing copies of their latest book, THE SECOND DEATH OF GOOD LUCK TINUBU on Friday, June 12th at 7:00pm at Centuries and Sleuths (7419 W. Madison) in Forest Park. Stanley is the author of the Dective Kubu series set in Botswana.
Friday, June 05, 2009
Weekend Reading - Printer's Row edition
RED HOT LIES by Laura Caldwell released this week. Laura is a Chicago author whose books are a good mix of thriller and chick-lit. This book is the first installment of a summer trilogy; the subsequent books will be released in July and August.
Also in attendance will be Chicago authors Marcus Sakey and Sean Chercover. These two aren't just great writer's, they're a lot of fun too. Don't just buy their books (GOOD PEOPLE and TRIGGER CITY), take them out for a beer too!
Tickets to Elmore Leonard, one of my favorite authors, are already sold out, but that doesn't mean you won't be able to get a book signed. If you haven't read him, I'd recommend starting with GET SHORTY and BE COOL. I think BE COOL is the better book, but you can't appreciate it without reading GET SHORTY first. His latest book, ROAD DOGS, is supposed to be great, but I haven't gotten a chance to pick it up yet.
Wednesday, June 03, 2009
Writer's Block: Konrath's e-book experiment
E-Books Part 1
E-Books Part 2
Tuesday, June 02, 2009
New Top Ten Tuesdays
- 57th Street Books in Hyde Park
- Barbara's Bookstore UIC location
- Book Cellar in Lincoln Square
- Book Stall in Winnetka
- Centuries and Slueths in Forest Park
- Myopic Bookstore in Wicker Park
- Quimby's in Bucktown
- Sandmeyers Bookstore in the South Loop
- Unabridged Bookstore in Lakeview
- Women and Children First in Andersonville
Monday, June 01, 2009
Must-See Monday
June 6th and June 7th, make sure to check out the Printer's Row Bookfair. There are too many events to post, so click here to check out the full schedule. Some authors of note include Marcus Sakey, Sean Chercover, Jamie Freveletti, Laura Caldwell, Tasha Alexander, Andrew Grant, Dave Eggers, Elmore Leonard, and others.
Friday, May 29, 2009
Weekend Reading
Also released this week is Michael Connelly's THE SCARECROW. His latest novel features newspaper writer Jack McEvoy, the same protagonist from THE POET and one of my favorites.
If you need a quick read over the weekend, and you're into e-books, check out SERIAL by Chicago author Jack Kilborn and Blake Crouch. This slim novella tells the story of two serial killers and what happens when they find each other. Lots of violence and twisted characters, but grips you from beginning to end. Best part; the book is free.
Need more recommendations? Check out my reviews in Crimespree Magazine.
Wednesday, May 27, 2009
Writer's Block: A Writer's Library
There are lots of books about writing; some are better than others. Since not everyone can attend a creative writing program and not everyone lives in an area where there are other writers, books about the craft of writing can be extremely helpful. Here are a few of my favorites:
Elements of Style by Strunk and White. This is a must-have for any writer. It's a slim paperback, but it's full of helpful grammar and style tips. Middle school language arts was a long time ago and this trusty guide will remind you of all that was forgotten.
On Writing by Stephen King. This is a combination of memoir and writing book. It's divided into three sections: One where King talks about his childhood and how he became a writer, another where he talks about the craft of writing, and the last section is a brutally honest telling of his accident and what came after. The second section is extremely helpful and the other two are simply inspiring.
Write Faster, Write Better by David A. Fryxell. Anyone who thinks it will take years to finish a novel, needs this book. Fryxell is has great ways to organize, plan ahead, and overall, write more efficiently. If you think a novel is daunting now, you won't after reading this book.
The Writer's Market. This massive volume is packed with agents, publishers, freelance opportunities, writing groups, conferences and more. Some of the information can be off so make sure to check websites for up-to-date mailing addresses and submission guidelines, but this book will send you on the right path.
Writing the Breakout Novel by Donald Maass. I read this just as I was finishing up my first manuscript, and by the time I was done, I felt like I needed to rewrite my entire book. Maass clearly knows the industry and gives great advice to writers wanting to breakout from the midlist. Also check out the workbook companion.
Writing and Selling Your Mystery Novel by Hallie Ephron. Obviously this mostly applies to mystery writers, but I believe her tips, outlines, and characterization charts can be applied to any type of novel. The book includes extensive worksheets illustrating how to effectively plot your book, create compelling characters, and how to build suspense. I found it very helpful when I was attempting to write my first mystery.
The Successful Novelist by David Morrell. I myself have not picked up this book yet, but many writers I know rave about it, so I felt I should include it. Morrell is the author of First Blood and the creator of Rambo. He is also a professor at the University of Iowa in their creative writing program. He's been writing and teaching a long time and with that experience comes a wealth of knowledge.
Feel free to comment with any books that have been helpful in your writing career!
Monday, May 25, 2009
Must-See Monday
Jane Hamilton and Elizabeth Berg read from their latest novels at Women and Children First (5233 N. Clark) Wednesday, May 27th at 7pm. This is one of my favorite bookstores and they always put on a good show.
Michael Connelly and George Pelecanos team up to sign copies of their latest books Wednesday, May 27th. Catch them on your lunch hour at Borders downtown (150 N. State) at 12:30pm or after work at Barnes and Noble Skokie (55 Old Orchard Center) at 7:30pm.
The poetry press, Switchback Books, is hosting a fundraiser at Irish Eyes (2519 N. Lincoln) on Thursday, May 28th at 7pm. No readings scheduled, but come out and support this small press. Switchback staff will be bartending.
In the mood for something racier? Check out The Sunday Night Sex Show at The Burlington (3425 W. Fullerton) Sunday, May 31 at 7:30pm. This lively reading series is a Metromix pick, includes prizes and trivia games, and is held the last Sunday of every month.
Friday, May 22, 2009
Memorial Day Weekend Reading + Contest
For something new, check out Lee Child's GONE TOMORROW, the latest installment of the Jack Reacher series. Reacher fans will be blown away; it's easily the best one yet. If this is your first introduction, never fear, GONE TOMORROW does stand on its own. Personally, I'd recommend checking out a few others before this one, just to see how far Reacher has come: KILLING FLOOR, TRIPWIRE, and THE PERSUADER.
This week, the committee announced this year's Anthony Award Nominees, so I'll be reading those nominated for best novel. Check them out:
Trigger City by Sean Chercover
The Brass Verdict by Michael Connelly
Red Knife by William Kent Krueger
The Girl With the Dragon Tattoo by Stieg Larsson
The Cruelest Month by Louise Penny
Finally, for this weekend's Chicago author, I suggest author and renegade publisher Darren Callahan. I met him at a writer's conference and was skeptical when he handed me a home-made book. But I took it home, I read it, and I fell in love. Check out DOCUMENTIA and CITY OF HUMAN REMAINS and order them here. _______________________________________________________
Now for The Chicago Contingent's first contest! The first five people to comment on today's post and include their suggested weekend reading, will receive a free copy of Jack Kilborn's AFRAID. Read about it here!
Wednesday, May 20, 2009
Writer's Block: Getting Down To Business
Some first steps to running a successful writing business:
- Create a webpage and print business cards. When you meet people at conferences, parties, or other social functions, if their interested in you, they'll ask for a business card. It's not professional to write your name and number down on a cocktail napkin. When they get home, the first thing they'll do is check you out by typing your name into Google. Having a webpage is having some control in what they find. Make sure your page clearly illustrates who you are and what you do. Novelists, print your latest book cover on your business cards and post it on the landing page of your website.
- Get out there and schmooze. Once your webpage is up and your business cards are in hand, it's time to network. For novelists, that means signings, conferences, and bookstore visits. For freelancers, that means e-mailing editors, attending social events, and forming relationships with possible interview subjects. Whatever the end goal, the more people you know, the more opportunities you'll have. Be social, friendly, and don't treat conversations like sales pitches. Form the relationship first, pitch later. Everyone is a potential reader, a potential client, a potential interview subject. Don't write someone off just because you don't think they can do anything for you.
- Learn from the best. When I first started doing publicity, I called and e-mailed a handful of book publicists around Chicago. All of them talked with me, one even met me for coffee to talk about the business. The more you know, the easier it is to avoid common pitfalls. If you're a debut author, talk to authors who have been at it for a while. If you're a freelancer, e-mail a writer from your favorite magazine or newspaper. Most people love to talk about themselves and share their knowledge.
- Get organized. If you're a freelancer, you're juggling numerous deadlines for a variety of publications, not to mention pitching new story ideas and following up with editors. Novelists are marketing their current book, completing edits on their second, and coming up with ideas for their third. There's a lot to keep track of. Utilize Excel, Outlook, and other programs to ensure you stay on task and meet deadlines. Forming daily to-do lists isn't a bad idea either. Keep a filing system to keep track of contracts, article payments, and clips.
- Plan ahead. If you want to make it as a freelancer, you should be pitching every day. Even if you're swamped with deadlines, you should still plan ahead and solicit future assignments. If you're an author, make sure you send out ARCs to reviewers and the media as soon as their available. Book reviews have a long turnaround time, especially with the diminished space in print publications. For short stories, it can be a up to a year from acceptance to publishing, and payment can be even longer. Complete the immediate tasks, but everyday, you should be planting seeds for the future.
Treat the act of writing as an art, but everything else should be treated as a business. Ultimately, you're selling a product (book, short story) or service (writing), and when it comes to sales, professionalism goes a long way.
Monday, May 18, 2009
Must-See Monday
RUI: Reading Under The Influence is on a special night this month: Monday, May 18th at 7:00pm at Sheffield's (3258 N. Sheffield). If you've never attended RUI, definitely check it out. It's one of Chicago's most lively reading series. A reader takes a shot, reads a portion of published work (usually with a theme) then asks the audience trivia questions before downing another shot. Correct answers get drink tickets and free books! Tonight's readers include Joe Meno, John Berger, Julia Borcherts, Rob Duffer, Jesse Jordan, Gabriel Levinson and Amy Guth.
Writer Brian Flitsch joins musician Keith Hampton at Homolatte on Tuesday, June 19th at 7:30pm. This bi-monthly GLBT reading series meets at Big Chicks (5024 N. Sheridan)
Local Authors night at Book Cellar (4736 N. Lincoln) on Wednesday, May 20 at 7:00pm. Authors Jamie Freveletti, Gillian Flynn and Lenny Kleinfeld will be signing copies of their latest novels.
If music is more your thing, check out Tribune music critic Greg Kot at the Lincoln Park Borders (2817 N. Clark) also on Wednesday, May 20 at 7:00pm. Kot will be signing copies of RIPPED, his book about the digital music industry.
Friday, May 15, 2009
Weekend Reading
This week, I noticed the The Outfit Collective has added a few more authors to their queue, including Laura Caldwell and David Ellis. Both are talented authors, so if you're not familiar with their work, check them out. My favorites are THE GOOD LIAR by Laura Caldwell and JURY OF ONE by David Ellis.
Finally, for all you authors out there, be sure to pick up Lissa Warren's SAVVY AUTHOR'S GUIDE TO BOOK PUBLICITY. It's a must-have for any author or newbie publicist attempting a successful publicity campaign.
Wednesday, May 13, 2009
Writer's Block: The Online Campaign
Where marketing teams and publicists used to hit print publications, TV, and radio, they're now hitting blogs, online papers, newsletters, and using e-mail blasts to promote a book. They're focused on website hits, e-mail lists, and uploading book trailers to YouTube. Is this more effective than other promotions? Hard to say. One thing's for sure, it's a hell of a lot cheaper.
Web-based promotion costs very little. There's no toner, no paper, no postage or shipping costs. Web advertising is far cheaper than print, but most publishers won't pay for advertising at all. They'll focus on contacting e-zine editors and bloggers to interview authors or write feature articles instead. Why buy space on the web when you can get it for free?
There are many pros to web campaigns other than cost. You don't have to work on web-based campaigns during normal business hours. The web never closes. Once something is up on the web, it's there forever, unlike newspapers and magazines that get recycled or TV interviews that only last a few minutes. The web publicity sticks around until someone deletes it, which means it usually stays there forever.
The last major appeal to the web campaign, is the ability to track traffic. Using StatCounter or Google Analytics, you can see if a blog post or online article brought people to your website or to IndieBound and Amazon. It's a lot harder to see the effects of a magazine article or radio interview.
As print newspapers die out, so will the print marketing campaigns. Marketing and publicity follow the trend, and so far, the trend is online.
Two good examples of this type of campaign are J.A. Konrath aka Jack Kilborn and Jamie Freveletti. Instead of beginning with a traditional book tour to promote his latest book, Konrath did a blog tour, appearing on a different blog everyday in March. He is also giving away a free e-novella, hoping that if he gives away a free taste, people will go out and buy more. Jamie Freveletti's debut novel is about an ultra-marathon runner, so she's been appearing on various running blogs. Her book trailer is also being hosted on various websites, many of which are running related rather than literary.
As a reader, notice where you're learning about book releases or new authors. If you're reading this blog, chances are you get most of your info from the web. As a published author, think about the best, most efficient, and cost effective way to reach the widest possible audience. Chances are, it will be with an online marketing campaign.
Monday, May 11, 2009
Must-See Monday
Debut author Andrew Grant launches his novel EVEN at the Clybourn Barnes & Noble (1441 W. Webster) Tuesday, May 12th at 7:30pm. He's a talented author and a really nice guy, so it should be a fun evening.
Debut author Jamie Freveletti signs copies of her book RUNNING FROM THE DEVIL at the Oak Brook Borders (1500 W. 16th st.) Wednesday, May 13th at 7:00pm.
Don't feel like heading out to the burbs? She's also hosting a talk at Fleet Feet (1620 N. Wells) on Friday, May 15th at 7:00pm with 3-time Olympian Tim Seaman.
This American Life contributor Cheryl Wagner reads from her new book PLENTY OF SUCK TO GO AROUND: A Memoir of Floods, Fires, Parades and Plywood at Quimby's (1854 W. North Ave.) Saturday, May 16th at 7:00pm.
Friday, May 08, 2009
Weekend Reading
In the mood for something slower paced? I recently finished Richard Price's LUSH LIFE, though I should have read it ages ago when it first came out. Price has always been a master at capturing setting, but he has outdone himself with this depiction of New York's Lower East side. The novel contains a large cast of characters and it's almost as if they're passing around video camera, each having an opportunity to tell their story. LUSH LIFE may be a slower read than most mysteries, but the writing is just as gripping.
Since SANCTUARY by Ken Bruen releases next week, #7 in the Jack Taylor series, I'd spend this weekend reading CROSS, which is #6. Ken Bruen is a talented writer and Taylor is a great series character. If you're not familiar, start at the beginning with THE GUARDS.
